The Time of Big Days

Ordinarily, days are ordinary. You make the coffee and make the bed. Do your work. Interact here and there. Make meals. Relax however you do. Turn in for the night. If you’re a small-pleasures-seeking person, you seek them, you notice the moments, the clouds drifting, the shadow on the wall, the ladybug, the sound of the beans grinding and the smell of the coffee. You go through the day in a kind of emotional neutral, interrupted by small spikes of pleasure or frustration, and you’ve learned ways to manage the onslaught of daily trauma by the Republicans. (If you’re me, you’re doing that mostly by shutting out all forms of media that will put it in your face. Ostrich mode.)

My days aren’t ordinary now, and I keep thinking of how unordinary they were when I moved here. How for a month we’d gone through all the terribleness — the shock of the phone call from Katie, Gracie died, we didn’t know why; the horror of Katie’s labor and delivery; the disbelief of their homecoming without her; the numbing arrangement of a funeral; the funeral itself, and a few days later her cremation; everyone drifting home; me leaving and not knowing how I could do that; and then back in New York and the shock of divorce, and moving back to Austin within a month of Gracie’s death, and starting all over, and and and and and. Big giant days, unbearable emotions, each day a tsunami of such intense emotion it was exhausting. As someone told me during those days, you just get tired of feeling so much.

This couldn’t be more different — it isn’t tragic, it isn’t permanent loss, it isn’t unexpected upending of anything, but boy are the days big, and filled with intense emotion. Last night I thought about how one of these days, when I’m settled into my Big Indian palace, I’d return to the more boring days, the kind where small pleasures are sought against a background of ordinary. But first, I have to touch all my places, sit across tables from people I have loved so dearly.

A farewell dinner with Lynn — at the same restaurant where we first met, so special to me that she thought of that. She is one of my DEEP sisters in the world, I have a few, and we will always know and love each other.
This picture was published in the Austin Chronicle, perfect with the capitol in the background. This protest was the most powerful protest I’ve ever participated in, and I’m still being affected by it. There is something potent about dressing in that costume, something very LOUD and yet also it’s self-negating. Protest is not about self, anyway, but dressing alike (and in THAT recognizable costume, especially) makes it even less about yourself . . . which contributes to the confusion I feel about how deeply personal it was, nevertheless. That’s me on the front, right.
Texas Republicans would put us in handmaid garb if they could get away with it. It’s unbelievable what they are doing. Thank God for these women, and all the others who will keep fighting.
We stood silently, pointing at each legislative chamber. Our silence was so powerful, and then we went to the rotunda and shouted SHAME SHAME SHAME for 10 minutes. I still shiver, remembering it.

My first protest as a Texas resident was in support of women’s right to choose; Wendy Davis had just completed her famous filibuster, and I gathered with thousands of women wearing orange, around the capitol. I am so proud that my first and last protest here was for the rights of women to self-determination. That fills me with pride and it means a lot to me that Marnie is proud of me. But oof a big day, because the handmaid protest was in the morning and then my poetry group gathered for what turned out to be a party — and I’m so gullible, and was SO not expecting it, that I believed them when they said the food was in the clubhouse for some other event. My place is in such disarray, and I sold my dining table and chairs, so George kindly hosted us in the clubhouse of his condo complex, a very beautiful setting filled with people who have enriched my life beyond belief. I just can’t even really talk about it yet.

Here we all are — starting from me, bottom center, and going clockwise: George, David, Marilyn, Rebecca, Hadiya, and Nick. These people. <3
Rebecca took some pictures and she just caught the spirit of our time together. Here are David, George, and Marilyn, reading along while someone reads a poem aloud. We really love poetry, and this kind of engrossed experience was our norm.
And here are Nick, me, and Hadiya, engrossed in the poem. Seriously. How much they have given me.

I’m glad Rebecca is in the group selfie since she’s not in the other shots. I wasn’t sure I could say goodbye to everyone, so I just kept trying over and over. A rambly, teary farewell to the group, a hug and goodbye to each person individually, and a clinging by my heart to the wonder of what happened with us, over the last 4.5 years.

Last night was the last meeting I’ll join of a new book club I’d recently formed a few months ago, women who share my politics and who I met in Pantsuit Nation. They will continue on, but it was my last night to sit among them and talk about the book (we actually did that! We talked about the books we read!), to rail about politics, to share information and support in this political insanity, and then to talk about other books we’re reading. It was such a great group, I loved every meeting and I will miss them so much. Today I am having afternoon tea with George, who has been such a good friend to me over the years. I’m sure I will find it hard to get in my car afterwards and drive away. We will always be friends, all these people, it’s not that. But it is farewell to a moment, to an experience, to a specific kind of connection that we had and oh how much it meant to me.

Then tomorrow I get to babysit Lucy while Katie accompanies Oliver on a school field trip, how precious that will be, and Saturday I have a late lunch with Deb, another deep sister. I will be so thrilled to leave this hateful state with its cruel politics, but oh the people. As I say on the About the Queen page, I am rootless, geographically, but I’m very rooted, people-wise. I will never lose these people, and they will stay in my heart with the same strength they have today — but oh it’s hard to have these ‘lasts.’ It isn’t that I mind the hardness; I’ll take it any day, because it’s evidence of the bond. Many still to come, some I can hardly bear to think about, but I’ll cross them as they come.

<3 <3 <3

what is it with me and circles

Apparently I’ve written 20 posts about circles, including one post explicitly titled ‘circles.’ I love closing a circle, and I’m not the only one, of course. I really adored this thing Roger Ebert wrote in his lovely memoir, Life Itself:

“I may appear to suffer from some sort of compulsive repetition syndrome, but these rituals are important to me. I have many places where I sit and think, “I have been here before, I am here now, and I will be here again.” Sometimes, lost in reverie, I remember myself approaching across the same green, or down the same footpath, in 1962 or 1983, or many other times. Sometimes Chaz comes along on my rituals, but just as often I go alone. Sometimes Chaz will say she’s going shopping, or visiting a friend, or just staying in the room and reading in bed. “Why don’t you go and touch your bases?” she’ll ask me. I know she sympathizes. These secret visits are a way for me to measure the wheel of the years and my passage through life. Sometimes on this voyage through life we need to sit on the deck and regard the waves.”

Wheels, echoes, circles figure heavily in my experience, and I touch them regularly — especially the older I get, which is kind of an obvious thing. As I’m getting ready to leave Austin, I keep having these experiences. In many ways, moving back to Austin in November 2012 was a closing of a circle, and as I prepare to leave, I’m closing many circles that opened here. It’s kind of extraordinary.

This was at my birthday celebration with friends November 2015. We somehow always end up like this. Isn’t she beautiful?

Sunday night I will have dinner with my beautiful, beautiful friend Lynn, who I recognized in such a deep way the moment I met her when I first moved here. We didn’t get to see each other very often; she was gone, I was gone, we were busy, but it didn’t matter. She is one of those people I just knew the moment I met her, and we are good no matter what, we are connected no matter how long, how far.

When I moved here, I joined a number of Meetup groups so I could encounter people and find friends. It’s hard to find friends when you’re an adult, anyway, but when you’re 54, and you work for yourself at home, and you’re new in town, it’s SUPER hard. I had no interest in being a professional Meetup-er — plenty of people are, it’s just not my thing — so I joined very specific groups to increase the chance of meeting similar women, including a “women who travel the world” group, or whatever the specific name of it was. I never went to any meetings, but in my profile I listed the places I had traveled to, and that list included Myanmar.

See what I mean? This was my birthday November 2016, and again we were with our big group of friends — all of whom are wonderful — and somehow Lynn and I end up like this.

Lynn contacted me through the system because she wanted to travel to Myanmar, and we arranged to meet at a restaurant called Apothecary. There was an instant connection, and our friendship just was. I never went to a single meeting of that group, and unjoined before too long. So Sunday evening, I am having dinner with Lynn at Apothecary, her deeply wonderful idea to meet at the place we first met, and that just feels so extraordinary to me, closing that circle. Our friendship will continue always, even if we only talk once in a blue moon, but we get to close this circle together.

I moved to Austin when I was 2, from Abilene, and this was my fourth separate time to live here. (I just sketched out those years — 1962 to 1972, 1977 to 1987, 1998 to 2003, and 2012 to 2017 — 10 years and 10 years and 5 years and 5 years, so interesting!) It’s been funny to me, living where I’ve lived this time in Austin, because it was a return to my oldest time here. I live 1.4 miles from where I lived when I was 6, when I became Queen of the Pillbugs. I hear the same trains at night that I heard as a girl. And every time I go to the grocery store, I drive past the apartment complex where I lived when I was 18. Something about this whole time in Austin has been a deep circle, a constant resonant hum. But last night, as I passed the apartment complex on the way to the store, a song came on that I listened to non-stop when I lived in that apartment, just at the moment I drove past the entrance. (It was 1978, don’t laugh.)

Barry Manilow, Sunrise. From the Even Now album.
I still have the album, thanks to my daughter Katie who kept it for me. I bought it Feb 1978.

That converging of music and specific spot threw me back, and if I hadn’t been thinking I might just have pulled into the complex and walked up the stairs to my apartment, which felt so fancy then, a whole apartment of my own with rented furniture and my few precious objects that still sit here in my house — Big Daddy’s hard hat, and his cat door stop — and my old record collection which sits now in my yoga room and there was nothing else there because there was so little of me, then, and time circles in and circles around and there we are lost in it but if we’re lucky we get to notice.

It’s not about a reverence for the ‘old days,’ or a wish to go back, but more an appreciation of how long life is, how mysterious it can be, how nothing really ends but only echoes, and if you get real quiet and listen, you can hear the echoes, too.

potluck

Just an assortment of things, almost all beautiful:

  • Since I won’t be here on Oliver’s third birthday because I’ll be in Bali that day, I spent a few hours with him yesterday. I had some kind of seriously awful gut thing going on so it wasn’t as long as I’d have liked, but it was so wonderful being with him. He and I went to one of the neighborhood parks, the one on the elementary school grounds where he will be going in just a couple of weeks. He played on the equipment, we blew bubbles even though it was too breezy to make chasing them much fun, he ate lunch, and he ran around. I watched him wandering around, running, talking to himself the way he does, and my heart ached so hard. Oliver has something going on — the current educational diagnosis is in the autism neighborhood — but most difficult is his pretty profound speech delay. So I watched that beautiful, darling boy running around, in his own world, and I cried pretty hard because I so want to know him. I so want to share things with him, know what he thinks without guessing, hear his wonderings and his wants and his needs and his funny. At the moment that’s not how it is to be with Oliver, but I know it will be one of these days. I don’t think he feels lonely; he seems keenly aware of how much he is loved. One fun thing to do with Oliver is to look at the phone together. We had the camera on and turned to selfie mode, and he was grinning as he held down the button for dozens of long bursts. He caught the really beautiful shot I included here. See the delight on his face?
  • My dear, dear friend Becci (hi darling Becci!) sent me a Crazy Zauberball. I have always wanted one, and somehow she chose a colorway that I always wanted, too. The other day I opened my mailbox, expecting the usual day’s allotment of junk mail, and instead there was a nicely wrapped box, fit snugly into the mailbox with my name facing outward. I had no idea what it might be, even when I saw Becci’s name and address in the top right corner. I literally ran into the house and unwrapped it (even more nicely presented inside the outer brown wrapper, with a “just because” note) and when I pulled out the ball I jumped up as if I’d been electrocuted. It was the last thing I expected, and I instantly started crying with all the joy — the joy of having a friend who would do such a thing (and just because), the joy of her thoughtfulness and knowing, the pleasure of the long-wanted yarn, and the delight of finding just the right project for it. I decided on a project that others have made with the yarn, a scarf called Baktus, because it looks amazing and it’s a simple knit—I want to make it on my upcoming trip. In the way these things work, forever more I’ll feel all the love and joy when I wear it, remembering Becci, remembering making it in Indonesia. That’s one thing I love about knitting, it holds the space for all of that.
  • I can’t properly talk about how humiliated I feel over having that hangover on Tuesday. I feel such shame about it. I’m 58, I have so many ways to manage upset, and I drank enough to have a hangover? It’s hard to talk about it but I feel like I must — maybe this is some kind of self-flagellation, maybe I shouldn’t, but shame and humiliation is exactly what I feel. I mentioned that feeling to Nancy, and she looked puzzled, which puzzled me. Shouldn’t I feel shame? I talk relatively often about AA, which I only know about because of my husband; I know that they believe self-loathing doesn’t get you anywhere, and certainly not to the same place that self-compassion will take you. I’m trying that, trying to have compassion for myself that evening, acceptance of myself and what I did. I don’t think I’ll ever do that again; I sure learned a lot, including the fact that a hangover can be a really terrible mood, which I didn’t know. I’m sorry I did that — I say that out loud, and to myself. It’s funny; I even find this beautiful, even though it’s such a dreadful feeling. But it’s beautiful to stumble along, fall down and get up, bruise yourself, heal yourself, and be helped along by others. I think that’s really beautiful.
  • We just lost Derek Walcott, a poet whose words have meant a lot to me over the years. I first encountered him in 2001, when I knew a poet who loved him. I’m sorry this is in a jpg instead of text, but I can’t find it copy-able and I don’t want to type it all out. This poem relates so beautifully to the end of my last bullet point:

  • Tonight I will sit with the women in my book club to talk about this month’s book, which I didn’t like at all I’m sad to say (The Heart Goes Last, by Margaret Atwood, review here). But I will love being with the women, who share my political world view and who are SMART, screamingly smart, and compassionate. We meet at Joyce’s house tonight — she picked the book — and she’s making us a vegetable pie and salad, and I’m bringing Topo Chico and dark chocolate, and I look forward to the communion with all my heart. For now, though, I pack for Indonesia. Happy Sunday, everyone.

three things: 1/22/17

FEED: I’ll be feeding for a week off the energy from the Women’s March. The organizers in Austin were expecting 22,000 people but there were between 50,000 and 60,000. I marched with my dear friend Deb and my wonderful daughter Katie, who was able to come after all thanks to her husband’s work schedule. We were near the front of the [alleged] starting point, but there were so many people already on Congress Avenue, in front of the capitol, that it was almost an hour before we started moving.

That’s the Texas state capitol (it’s a replica of the US capitol, but in pink granite). Deb and Katie and I were at the bottom of that paired row of trees on the front lawn, waiting to march down…..
Congress Avenue, the broad street that is the center of downtown, going from the capitol, over the river, into south Austin. It was extraordinary, no kidding.

People like to say that Austin is a big city, but it isn’t, really. Chicago, LA, NY, Boston, those are big cities. Austin is a large town with a WHOLE LOT of people in it. So this was amazing. People came in buses from all around the state, they drove in this morning, just to march here, in front of our regressive state government. It was peaceful. Beautiful. I wanted to hug every single person I saw.

Katie and I, waiting for the march to get started, about an hour before it was to begin. Marnie marched in Chicago, and Marc marched in NYC. Our family represented!

SEED: I’ll tell you this: trolls have zero sense of irony. Yesterday a nasty little troll who lives near Roswell, Georgia left an anonymous comment on my blog that said this:

why don’t you and your radical friends move to Russia!!!!! (subject line: “sick of your bs”)

HAHAHAHAHA! Gosh. Where even to begin. I think it’s a safe bet that this troll is a Trumpeter. Right? That she (for I have figured out who she is) voted for Putin’s puppet. What is it about people like this that always makes them tell us to move to Russia, anyway? Also: trolls love exclamation points. !!!!!

And these extra “patriotic” trolls have their little feelings hurt so badly when an American exercises her First Amendment rights. Choose-your-own-patriotism, I guess.

Also, if you are “sick of [my] bs” I have a simple little fix for you: don’t read it! No one is forcing you. Please, feel free to never read my blog again, I’m serious! Do me and yourself a favor, please. Because I’m not going to be silent so you can be comfortable (and especially not on my own damn blog! Sheesh!).

This is something I really do not understand. I know a couple of people who voted for Trump, and I never bring up politics with them. Never. (Similarly, I never comment on (or read) their political FB posts, ever, but they will slap a comment on mine, what??) Because there is no point, the abyss is too deep. I never bring up politics, and if a conversation by others starts drifting in that direction, I do my best to shift it into a safer zone. But they inevitably bring up politics with me, and you can tell that I have opinions, dammit. (And not only that, I’m super angry about this, which they also know from previous times they’ve brought up politics. What is that about?) So if they do, I don’t hold back. I say exactly what I think, and I’m not delicate about it. They brought up the conversation, and they know my position. I get very upset and shaky inside, because one friend especially I care about so much, I love her dearly, and I don’t want to unleash my anger at her, but I am angry. So it’s completely unpleasant for me, I don’t like it, I don’t wish to talk about it, but THEY BRING IT UP. Again and again. One has said things to me like, “Don’t you agree, liberals don’t think for themselves?” WITH FOX NEWS BLARING IN THE BACKGROUND.

Oh, I’m angry. I’m so angry. It’s not pleasant to have these intense feelings, and I am trying to figure out why my fury is this huge. I really hate unfairness, especially when people who have power wield it over those who don’t — that’s something that always makes me see red. So maybe it’s that, I don’t know, but I’d like to get a handle on it so I don’t stroke out, because I have a lot of political work to do.

Trolls? If you don’t like what I write here, on my own tiny little corner of the Internet, just leave me alone. Please.

READ: So I finished reading A Man Called Ove, which took me so long because I’ve been on a great run of sleeping. Here’s my GoodReads review, in case you’re interested in reading the book:

A Man Called OveA Man Called Ove by Fredrik Backman
My rating: 4 of 5 stars

When I was deciding whether to read this book, I noticed that the most common word in all the Amazon and GoodReads reviews was “charming.” And honestly, I couldn’t write a review without that word either! It’s not just that the man called Ove was curmudgeonly charming, it’s that the approach of the book was charming, too. From the funny chapter titles to the way the story is fed out, to the glorious characters, to Ove’s endless stumbling blocks to joining Sonja, every last bit was charming. The general plot was a bit predictable — exuberant new neighbor saves sad old curmudgeon who finds no use for life until she explodes into his life — but honestly? That didn’t matter. I didn’t care. I didn’t care that I spotted the plot arc the moment they met. I didn’t care that the various subplots were predictable. In large part that’s because of the good storytelling, the lovely writing, and the moments of big truth, and in the remaining part it’s because I really cared about Ove, a lot. Really good book, I enjoyed reading it a lot, and always regretted that my time to read is too brief. [View all my reviews]

Now I’m reading another Scandinavian book (Ove was Swedish, this one’s Norwegian) one called Land of Hidden Fires, which I am reading for NetGalley. More on that later. New book club in the house tonight, to discuss Underground Railroad oh heck yeah.

three things:1/19/17

FEED: This color linoleum cut print arrested my scrolling and drew me in. My friend Sherlock used to say that he doesn’t ‘get’ art, one of many longstanding jokes we shared, but I think it’s just this, at its most basic: stop at what stops you. Look deeply. Look at the work of it, if that’s what interests you. Look at the chips, the strokes, the texture, the color. What is it that stops you and causes you to look?

Elizabeth Catlett (also known as Elizabeth Catlett Mora) (American-born Mexican, 1915-2012): Sharecropper, 1952. Printed 1970. Color linoleum cut print on cream Japanese paper.

I’ve always loved block prints, wood or linoleum, and this one feels so full of tension, with all the tiny, tiny lines. The expression on the sharecropper’s face is where my gaze begins and stays; I can’t find a name for her expression, can you? What is that? And as always, I am in awe of the artist who can present me with such complexity and beauty. I also love the color palette in this piece, and gosh I just keep seeing things — the way the artist created the pulled folds in her garment where the safety pin tugs the cloth, amid the tiny lines of the cloth itself. Her white hair. The very tight focus, where she is all there is to see in this image.

We’ve been in a days-long period of solid gray skies, the flat white kind that looks like the base coat of a painting before the painting is begun, and we’ve had endless fog and rain. When I sat down to create this post, I felt like my spirits needed bright color, strong imagery, something vivid to counteract the gloom outside and to come, but it was this piece that stopped me.

SEED: My beloved poetry group met at my house Tuesday night, and I have to say: being with poets is great balm for the storm we’re already in, and the bigger storm to come. Poets are thoughtful, reflective, metaphoric-minded, word-gifted people who I would guess are mostly liberal and beyond, on to the far left. Because poets know that words don’t just capture, words don’t just reflect, they have power, power to resist and power to change. Last night was the beginning of our fifth year together; we first met in January of 2013, a fact that amazes me. We’re comfortable together, we know each other from these monthly gatherings.

I definitely have other friends who see what I see, and who see it the way I see it (such a comfort), and yet the poets’ vision is more of everything. More frightened. More complex. More broad-based. We’re all close to my age, I think, though one is substantially younger and one (I think!) older, so we have similar frames of reference for past political struggles — all of which have come at the hands of Republicans, I hasten to add.

So last night we did what we do: one of us would read a poem aloud while the rest followed along on the copies we distribute, and then we’d talk about it. A few of us brought protest poems — Audre Lorde (me), Rita Dove and William Stafford (Hadiya) — and as always, a few brought poems they’d written (Ed, Marilyn, and Nick, this time), and a few brought poems to relish. But unlike our usual meeting, we had breaks between poems to talk about the storm of politics. Our despair would grow and we’d have to take a breath and read a poem, to feel better.

I won’t be surprised if all our future meetings have the same structure; this might be the new form, and for me it will be life-sustaining. When they left last night, I felt fed and comforted, and grateful there be poets.

Before he read last Sunday, he pinned the US distress flag on the wall behind him, and there it stayed.

So I say again: it doesn’t matter if you don’t write poetry. I don’t! It doesn’t matter if you don’t know the first thing about poetry. I don’t! I can’t identify feet and schemes, I don’t know types, zip. It doesn’t matter if you’re not hooked into the poetry community in your town already. The poets are active, wherever you live, and you can find a public reading and just show up. Just show up, sit on a folding chair at the back, in the corner, by the door, and be ready to split at a moment’s notice. The poets are angry, but they’re also giving hope — maybe just because they’re there. I just Googled “Austin poetry readings” and WHAM. A plenty. A gracious plenty. There is even a poetry club in tiny little Graham, TX. There are poets in your town, and I’d bet a lot of money that if you put yourself among them — even silently — you’ll come away with something wonderful. And no one will ask you to recite, no one will ask you to speak, no one will ask you to identify iambic pentameter. No one.

READ: Poetry. Read poetry. Poetry can be so funny, so skewed (and yet there’s always something really important inside it) — it certainly isn’t all dense and dark and hard to parse. Here is one that George shared last night, and it’s a perfect example of funny but with something really important to say. It’s titled “Humanity 101,” by Denise Duhamel, and it was selected for inclusion in Best American Poetry, 2016.

I was on my way to becoming a philanthropist,
or the president, or at least someone who gave a shit,
but I was a nontraditional student
with a lot of catching up to do. I enrolled in Humanity 101
(not to be confused with the Humanities,
a whole separate department). When I flunked
the final exam, my professor suggested
I take Remedial Humanity where I’d learn the basics
that I’d missed so far. I may have been a nontraditional student,
but I was a traditional person, she said, the way a professor
can say intimate things sometimes, as though
your face and soul are aglow in one of those
magnified (10x) makeup mirrors.

So I took Remedial Humanity, which sounds like an easy A,
but, believe me, it was actually quite challenging.
There were analogy questions, such as:
Paris Hilton is to a rich U.S. suburban kid
as a U.S. middle-class kid is to:
1.) a U.S. poverty-stricken kid,
2.) a U.S. kid with nothing in the fridge,
or
3.) a Third World kid with no fridge at all.
We were required to write essays about the cause of war—
Was it a phenomenon? Was it our lower animal selves?
Was it economics? Was it psychological/sexual/religious
(good vs. evil and all that stuff)? For homework
we had to bend down to talk to a homeless person
slouched against a building. We didn’t necessarily have to
give them money or food, but we had to say something like
How are you? or What is your favorite color? 

We took field trips to nursing homes, prisons,
day-care centers. We stood near bedsides
or sat on the floor to color with strange little people
who cried and were afraid of us at first.
I almost dropped out. I went to see the professor
during his office hours because I wanted to change my major.
He asked, “Is that because your heart is being smashed?”
He thought I should stick it out, that I could make it,
if I just escaped for an hour a day blasting music
into my earbuds or slumping in front of the TV.
I said, “But that’s just it. Now I see humanity everywhere,
even on sitcoms, even in pop songs,
even in beer commercials.” He closed his door
and showed me the scars under his shirt
where he had been stabbed. He said I had to assume
everyone had such a wound, whether I could see it or not.

He assured me that it really did get easier in time,
and that it was hard to make music when you were still
learning how to play the scales. He made me see
my potential. He convinced me of my own humanity,
that one day I might even be able to get a PhD. But first
I had to, for extra credit, write a treatise on detachment.

And to lure you in with another poem that will delight you while delivering a point, here is Dean Young’s “Crash Test Dummies of an Imperfect God:”

Because we are so stupid,
the prizes in Cracker Jacks are now paper
so they can be swallowed, ladders
spackled with warnings. No getting
within a hundred feet of Stonehenge because
everyone wants to hack off a souvenir
and the way home is clogged to one lane
so whoever wants to can stare into a pothole
until coming up with a grievance. I’d vote
the greatest accomplishment of mankind
is the pickle spear. God created paradise
to tell us Get out! which is why we probably
created God who doesn’t much like being created
by ilk like us. No wonder it’s pediatrics
every morning and toxicology by happy hour.
Is it all in the mind, the dirty, dirty mind?
Maybe God tried to turn you into a garbage can
so you could be lifted by the truck’s hydraulic
arms and banged empty. Maybe a snow cone
so you could be sticky-sweet and dropped.
Maybe a genital-faced bivalve to be dashed
with Tabasco and eaten whole or, to his glory,
produce a pearl.

I never share the original poetry written by people in our group, because it’s not mine to share, nor is it published for all to read, but how I wish I could. Last night there were five original poems, and I just listened and followed along in awe, and felt my self expanded out beyond my bones, pushed past my skin, in wonder. “Gone to wonder in the mind,” as Ed wrote in a gorgeous poem, the line cobbled from Chaucer.

three things: 1/17/17

FEED: My Sunday was incredible — I attended the National Poets Against Trump protest and the National Writers Resist protest here in Austin, and wished with all my heart I could’ve been at the ones in New York City. The writers’ protest there was held on the steps of the New York Public Library, and how I would’ve loved to be there.

At the NYPL

I also attended a training session for nonviolent protest, organized by the women organizing the Austin Women’s March (they’re expecting more than 22,000 people!), so all that comes together to lead me to share this powerful poem.

A Woman Speaks (Audre Lorde)

Moon marked and touched by sun
my magic is unwritten
but when the sea turns back
it will leave my shape behind.
I seek no favor
untouched by blood
unrelenting as the curse of love
permanent as my errors
or my pride
I do not mix
love with pity
nor hate with scorn
and if you would know me
look into the entrails of Uranus
where the restless oceans pound.

I do not dwell
within my birth nor my divinities
who am ageless and half-grown
and still seeking
my sisters
witches in Dahomey
wear me inside their coiled cloths
as our mother did
mourning.

I have been woman
for a long time
beware my smile
I am treacherous with old magic
and the noon’s new fury
with all your wide futures
promised
I am
woman
and not white.

From The Collected Poems of Audre Lorde.

That feeds me, sisters, it does.

This is amazing, amazing Joe Brundidge.

SEED: Even though mine is such a heavily literary life, I’m not hooked into the quite large literary community here in Austin, though I want to be — especially after attending the writers protest and seeing a good portion of it. I sat there at BookPeople thinking These are my people. All of them, these are MY people. I thought it at the poets protest too; we who need words, who value words, who understand the power of words to fight, and who turn to them in times of trouble. He was at the poets protest too, but I must have been distracted because I didn’t really GET Joe until he spoke at the writers protest. He read two pieces, the first of which I remembered from the poets protest a few hours earlier. But then he read the second one, and he is such an amazing speaker it just felt like he suddenly started talking to us, and with urgency. It was about the critical importance of doing your work, of not waiting, and of how important it is, and he spoke right to the things you say that stop yourself, and he was right there ready to step into the muck and lift you out, rinse it off of you because he needs you, he needs your voice. I just sat there crying and feeling LOVED, and held. When he finished speaking, the next speaker was Sarah Bird — actually the person I was most eager to hear — but I couldn’t pay attention because I was afraid Joe would leave, so I just kept my eye on him.

As soon as Sarah quit speaking, while the next speaker was being introduced I jumped up (I was on the front row) and dashed over to Joe, who didn’t know me from Adam. I asked, “Can I hug you?” And with his giant smile, this tremendous bear of a man reached out his arms and hugged me so tight, so solid and still, and for so long. I moved slightly, to end the hug, just because I didn’t want him to feel stuck, and he didn’t let go. So I just relaxed, and I’ll bet we hugged for two solid minutes, maybe three. I thanked him and told him how much I needed to hear what he said, and my eyes filled with tears. Then I got shy and embarrassed and ducked back to my seat, but for the rest of the night I was held by him, and his words, and I felt better than I have in a very long time.

Joe is a host on Writing on the Air (here are his interviews), and he’s the director of the Austin International Poetry Festival. Here’s Joe in action, at Austin’s wonderful, wonderful independent book store Malvern Books, host of the poets protest and so many other wonderful events. He’s not as intense and passionate in this video as he was at the protest, but you get a feel for who he is.

That’s one thing I love about life. You can just be sitting there, expecting so little, and encounter someone who blows you over, envelopes you with love and acceptance and wonder, and you come away healed. I love that.

READ: I will just share some good thoughts and reading if you’re in the same general mindset I’m in this week, as we prepare for ….. ugh. Well, you know. Think about, remember, do these things:

  • “My existence requires no one’s permission.” (Joe Brundidge, beautiful Joe)
  • Someone at the poets protest said, “Aesthetically and philosophically, any poetry is against Trump.” No Republican president has ever had a poet at inauguration. Shocked? Nah.
  • “Don’t just sit there simulating a free person.” ~Austin poet Greg Liotta
  • When he takes the oath of office on Friday, January 19, you take the oath too. Take the oath to preserve, protect, and defend the Constitution (against him and his swamp monsters).
    https://www.wall-of-us.org/taketheoath/
  • Here’s a list of 27 books every woman should read if they’re going to the women’s march or NOT. I’ve only read five, how can that be…..gotta get busy.
  • A pivot: Harvard’s photography courses are online, and free. If you complete all the modules, you get a certificate. The software they use is old (~2009, I think), but the basics of photography haven’t changed.

three things: 1/5/17

1)  I once knew a very bitter old woman named Ann-Marie who said NO, no matter what you asked. Back when her kids were almost teenagers (she was in her late 70s when I met her), she had gotten tired of doing for everyone, of always being the one who sacrificed, and so she decided that whatever they asked her, she would say no. “Will you take me there?” NO. “Can you bring—” “NO.” There was almost nothing they could ask her that would get a yes answer. She stuck with it too, to a truly remarkable degree. Even in her dying years, she would still say no to almost any request. It was stunning, and sobering, and her bitterness is the main thing I remember about her. My kids were pre-teens when I met her, and she became a cautionary tale for me, about the poison of years-long, intense self-sacrifice. As with all things, it’s a balance and we all have to find our own way, but I know I’ve too-easily felt like I gave away the farm, like I just said yes, sure, I will, OK, whatever you want way too often. And the underneath of that (the “the dark, tarry smear” of it, to steal a bit of a quote that Peggy shared yesterday, by Amy Bloom) is resentment. And resentment is definitely a poison. I tell my daughters all the time not to constantly set themselves aside. To get themselves a new shirt when they need one, instead of wearing a ratty old one but buying another toy for their babies. To go out for some time to themselves.

So at the guided meditation at MoMA yesterday, when the meditation teacher asked us to think of a characteristic we might want to focus on in the coming year, I heard in a very quiet but clear voice that I want two things: (a) quiet, and (b) selfishness. And by that I mean that I want to privilege myself in the coming year, I want to pause before every commitment and allow my own needs and desires to be my first consideration. I’m a pleaser and a sacrificer so it’ll be hard and that probably means I don’t have to worry too much about becoming the bad kind of selfish; privileging myself will just help me course-correct and bring me a little closer to some illusory middleground. It’s hard even to say this! I don’t want to be like Anne-Marie, obviously, but this is something that will be helpful to me, I hope. YES. I say yes to this.

I would ask if this is something you struggle with, but since everyone who reads this (as far as I know) is a woman, I imagine the answer is yes. And to the degree it’s less true for you, I also imagine that’s because you pointedly worked on it. Yes?

2)  Tonight I’m meeting my friend Craig for dinner at an Indian food restaurant, but before then I’m going to the main New York Public Library because the Rose Reading Room reopened in October after an extended period of renovation. I’ll take my moleskine and my beautiful pen and sit at a long table with a low light, underneath the magnificent ceiling, and write for a while. That will be a slug of beauty in my day, for sure. My friend Anne mentioned seeking out a beautiful thing to photograph every day, and January in NYC makes it pretty tough but I am sure I’ll find a corner, a bit of architectural detail, a book jacket, something to relish.

Ceiling detail
Isn’t it so lovely? And it’s even more lovely when there are people reading and working there.

3) So, my new theory. Going to MoMA for the Quiet Morning event was as juvenating (not rejuvenating because I was so low in the trough there was no juvenation to re-ignite) as I’d hoped and maybe even more. This depression, this new kind, isn’t about my deep psyche, and so I imagine that’s exactly why art is working. My depression is about the world, the bitter cold wind of it, the tyrant-coming of it, the fear and dread. Because every day brings new terribleness, it’s hard to find space to catch my breath and get my head above the depressed water. But art is still in the world, and artists. Poetry, and poets. Music, and composers and performers. Dance, and dancers. Beautiful novels, and novelists. That’s all still there, too. And so are blue skies (just not where I am, FOR REAL) and all my favorite clouds, and Bali, and Vietnam and Laos, and all the places I’ve loved. To help with this depression, those are the medicine, soaking them in, being reminded. Unusually, my people aren’t the direct medicine this time, because the dread world is going to steamroll all of them and so they remind me even more of my fear and dread — oh no, not them too, please. Please.

I’ve already bought my ticket for the next Quiet Morning at MoMA, February 1, and in between I am planning to keep inoculating myself with art. I think I’ll pick an artist for each week, and a poet for each week, and sort of assign myself to soak them up in a more focused way.  OR I could choose a color for a week, here and there — brilliant golden-yellow, find art that features that color, maybe, or crimson, or blues (OH MY the blues, I saw some extraordinary blues at MoMA yesterday).

I cried like a BABY. I stared at all his brush strokes and thought about his own suffering, and his ecstasy, and how I could feel his and my own. This was the third time I’ve seen it in person and it’s never less than the same electric experience.

And that reminds me of a thing Sherlock used to do, back in the pre-digital camera days. I did this with him one Saturday our first year of graduate school I think, and it was fabulous. Before we set out with our cameras loaded with a roll of film (36 pictures, if I recall), we each chose a theme. Circles, maybe. Red. Words. Something abstract like that. Then we just drove. We drove through the countryside, we stopped in very small towns, and we took photographs of whatever fit our theme. When we’d taken all our pictures, we dropped off the film to be developed and printed, and we went out for lunch while we waited. It was so much fun, I remember it still (and that was probably 1999, which is….what? No, really? Eighteen years ago??).

Republicans don’t appear to think so, but we need art. We need beauty. We need the abstract. We need the Big. xoxox