You Can’t Escape from What You Are

Vincent Cassel // “You can’t escape from what you are.”
That image came up in my Instagram feed (the account is Nitch, and it’s reliably a source of something to pause and think about) and indeed, the quote accompanying it made me stop and think. It’s the verb he chose — ‘escape’ — that’s really the point, as if (my first thought) who you are is something bad. (I’ll come back to that.) I had a kind of instinctive reaction, a defense of self, and the size of my reaction also made me pause. WHOA, what’s that about. Why you gotta be so mad, Queenie?

So I sat with that for a while. You can’t escape from WHAT you are. Hmm. Not who you are — maybe who is a more socially constructed idea, the roles and parts we play — but what you are, and maybe that’s your essence, your unlanguaged center, the you that perhaps you think is bad, or too much, or too inelegant, or too chaotic, or too wild, or too [fill in your own blank]. Maybe that’s what we try to escape from. And in fact, that’s one thing culture does to/for us. We are tamed. We learn to wait (but we don’t want to wait!). We learn to take turns and share (but that’s mine!). We learn to wait for food. We learn to lie down even though we want to run and jump. We learn the discipline of focus and studying. And we learn the shared cultural knowledge, the stories we agree to believe in, the roles that are acceptable for us as a function of the culturally relevant variables. We learn what’s expected of us. We learn what’s in our realm of possibles. All of that learning is intended, among other things, to shape the what of us. Some of it is agreeable, some of it isn’t, and some we finally decide to reject. But we have been civilized in the process, and our wildness might get the corners knocked off. A bit. (But not permanently, I believe.)

What was I, in the beginning? I was a quiet girl, a serious girl, a girl who only wanted to read. I was an awkward girl, inelegant, clumsy. I was not a girl who made noise, who was rambunctious, who wanted to push envelopes. I did not like to play, and in fact couldn’t figure out how to do that. In part my environment played a role in this, but honestly I also think it’s what I am. Then and now I am a quiet person, a serious person, a person who loves to read, who does not make noise, who isn’t rambunctious, who doesn’t know how to play. As a young girl of 5 or 6 I wanted to be a paleontologist. The disciplines varied, but always I wanted to be a scientist, and always asked for (but never got) a microscope for Christmas. During a brief period of reading the Cherry Ames, Student Nurse books when I was 8, I wanted to be a nurse, but that was short-lived. Too much poop. I always wanted a future in a lab, surrounded by the stuff of science. I never drew or colored or painted; it was science for me as long as I can remember. Books. Lab equipment. Serious conversations. Academia. Not motherhood, ever, but more as a conscious choice borne of my quivering fear of not being able to avoid being like my own parents.

I tried so hard to escape what I was, and did a pretty good job of it. I was a very unpopular girl, in part because I was the smart girl (still not an easy place for young girls) — so I tried to be dumb. I tried so hard to fail, I remember consciously trying to fail in 3rd and 4th grades, thinking then maybe people would like me. I tried to escape my seriousness by making fun of myself and calling myself names, mocking myself, belittling the very things I valued, like my openness to the world. I tried to escape my seriousness by hiding it away because I didn’t feel strong enough to talk back to those who told me not to be so serious all the time. To take a joke. I played the clown, I played the dumb girl, I played the dumb woman. (Sort of.)

And the ‘sort of’ really matters, because it’s not a black and white story. At 36 I started college, and knew that I wanted to go all the way through to a PhD . . . which I did. And never made a single B, the whole time. Not one, and while raising three children. But I didn’t pursue neuroscience, which is what I really wanted (my first wish), because I didn’t think I was smart enough. And I didn’t pursue philosophy, which is also what I really wanted (my second wish), because it seemed impractical, and I had a family. And so I pursued psychology, which felt doable (surely I’d be smart enough) and practical (ha!!!). Still, though, I didn’t allow myself to be serious, and because my performance was so good (I just worked hard!) I blew myself off, minimized myself (I just worked hard!).

What am I, really? What am I, still? What remains of the me I was, what is the me that has developed? I’m winking at my crone years now, my wild woman in the wood years, my white-haired years, and it’s time. If not now, when? Time to quit trying to escape from what I am. My youngest grandchild, my beautiful granddaughter Lucy, turns 1 TODAY. I’ve waited long enough.

blanking

It’s happening so fast I can see it, hear it, observe it. I’m losing words. The worst of it is my inability to speak fluidly, to simply say what I want to say. I’ll be shooting a little video to share with my daughters, standing at the closeby creek, and the many long, long pauses are increasingly common as I hit a blank wall. The most frustrating part is that I can’t get the simple words, like ‘pool.’ “And this . . . um . . . this is a well . . . um . . . still area.” Only more frustrating than that, even, is my inability to speak around the lost word, to find synonyms or descriptions or definitions. I usually can’t even get close, as ‘still area’ is close to ‘pool’ in the context of a flowing creek.

For example. Our well water is so gross — sulfur-smelling, and so full of iron it turns the toilet bowls dark gray-brown — and it also leaves a film on things as it dries. The dishes I wash so thoroughly, that are so clean when I put them in the dish drainer, look awful when they dry. There’s a film on them, and that word ‘film’ was impossible for me to find the other night. I was telling Marc how the floors looked after I finished scrubbing them on my hands and knees three times, and then after a final sponge mop, and simply could not find the word film. Nor could I tell him in any other way what I meant. “So the floors are very clean, but there’s a . . . you know, the water . . . you know, how when it dries?” He tried to fill in for me, “Did the water damage the wood floor? Is it stained?” And I couldn’t even approach my meaning. I said, “There’s a specific word for this, never mind never mind.” This morning I tried to explain something about my big camera on the tripod and couldn’t. Couldn’t even talk around it.

This has been happening for a very long time, but it is getting so much worse. I’m losing my ability to be articulate in speech, and I can’t tell you how painful that is, because being articulate has been one of my self-defining characteristics. It’s the aspect of myself I most enjoy, the aspect that feels most me to me. I can still be articulate when I write, thank heavens, but that’s because I can hit a missing word and pause, go searching for it through Google searches, let it be with an XX placeholder and come back later — strategies that you can’t do when you’re speaking.

And it makes me both scared and frustrated, so I get angry in the moment. I’m angry at myself, at the situation, at this roadblock, but the person to whom I’m speaking only sees the anger, the short temper, the flare. Usually this is Marc who bears the brunt. I feel for him. I try to be mild and compassionate with myself about it, and I’m reassured to feel like I’m still fully there, it’s just that I can’t get words — I’m not feeling like my self is disappearing, I have full connection to my own experiences, my memories, my presence, and I know what it is I want to say in its fullness, in its clear and specific articulation, I just lose the words I want when I try to produce them. Too often I just give up before I even start, I don’t try to explain anything that’s at all complex, like the way the lever on the ball and socket head joint on my tripod doesn’t close tightly enough to hold the camera at a 45-degree angle anymore. Or the way there is a film on the clean floor so it doesn’t look clean, but it is.

This loss is gutting, and just so very personal. I’ve always said that if a terrible accident befell me and I was confined to a chair, that wouldn’t be awful at all. Athleticism, or even physical activity, is not central to my identity, it’s not at all an important element of what makes my life worth living, or enjoyable. But verbal acuity is, for me. Incisive expression is, for me. My thoughts can be quite complex, and my emotional understanding is layered and intricate, and being able to give voice to that has always given me such a thrill, such pleasure. I love words. I’m just so verbal, it’s where my intelligence lies. I don’t have other forms of intelligence, but this is mine, and it always has been. I scored at the 99th percentile on the verbal section of the GRE, and wasn’t even surprised by that. This is my little pocket of gift. It’s all there, in my mind, and I can easily access it except in speech production. So that’s at least a reassuring feeling, even if it adds to my frustration: I’m still here. It’s all still there.

OK, I’m going in.

“The feeling that she had never really lived in this world caught her by surprise. It was a fact. She had never lived. Even as a child, as far back as she could remember, she had done nothing but endure. She had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. Her devotion to doing things the right way had been unflagging, all her successes had depended on it, and she would have gone on like that indefinitely. She didn’t understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.” —Han Kang, The Vegetarian

Wednesday and Thursday are supposed to be beautiful days — no rain, partly sky, and 76 degrees.  We have the new carpet upstairs and the world seems beautiful and full of possibilities; it’s funny how getting rid of something that’s just so gross and smelly makes everything else feel better. (I mean, we knew it was gross and that it stank, but when they dragged the old carpet out, Marc went outside to get something and saw that flies were swarming it.)

not my yard, but my neighborhood — I’ll probably walk here

So I’m going to do what I’ve been thinking of doing. I’m going to step into the world and just live, just be present to myself, with myself, to the world, just for those two days. Today I will run errands, finish a manuscript evaluation and get it off to my client, do some housework, and make myself a good dinner and do some deep yoga. Prep work, of a sort. And then Wednesday and Thursday I’m just me. I’m silent. I’m here and not anywhere else, and alone. Not online. No sharing a beautiful photo, no sharing a passage from a favorite book, or a poem.

That’s a lot of ‘not’s. Here’s a list of the ‘yes please’s:

  • yoga
  • sitting by the creek, maybe drawing maybe not
  • walking in the woods — mine, and nearby
  • reading, with a notepad by my side (my new book of poetry will arrive Wednesday, Hard Child by Natalie Shapero, reviewed here in The Rumpus) (I’ll also probably read some Anne Carson)
  • lots of sitting and staring, and spending as much of the day outside as possible
  • pushing myself outside after dark, even just in a chair in my front yard, staring at the sky
  • writing by hand, off my computer — not just to keep myself away from online, but also to connect to slow me
  • knitting
autumn is in the air

No Netflix (/Amazon/Acorn). No music, except maybe meditation music, chanting, or nature sounds. So nothing with lyrics, really. I want to be in quiet, in silence, so I can hear myself. Quakers sit in “gathered silence” together because they say you can’t hear God amid the noise. I am not imagining I’ll hear God — wouldn’t know what that would be like anyway — but I am imagining I’ll hear myself a little more clearly without all the distractions I hurl in my way.

I won’t post here during the next two days, and I won’t be on Facebook or Instagram. I’m a little anxious, to be honest, because I’ll have to face whatever anxiety I come up against by just being present with it. I won’t have the agita inflamed by being online and seeing/engaging with everything that our government is doing (and not doing) in the world, but I also won’t have the distraction of “just hopping on.” No pretty pictures, no smiling faces of friends around the world, just me. I wonder how it’ll be. I imagine it will be everything at some point.

But at least it will be happening on lovely new carpeting. Ciao, friends. Back on Friday. xoxox

Thoreau

WHY is it so hard to be me. I wonder this all the time. I halfway (quarter-way) long to be a light, easygoing person, what you see is what you get, only walking on the sunny side (ugh, no, I actually detest that, it would be my worst personal nightmare) — but I do wish on occasion to be an easier person. Most of the time I like the complexity of being who I am, but sometimes I wish I were easier.

this was NOT my poster, but the spirit is the same

In the spirit of my last two posts, I’m remembering that old poster I had on my bedroom wall as a near-teen — the image was so green, a deep forest with a shaft of light piercing through, and superimposed (these were the pre-meme days of the 1970s) was a quote, either Thoreau or the Desiderata, I don’t remember for sure, but I do also remember reading Walden and thinking how swell that would be to go into the wild and confront myself, to confront the bareness of life, to learn whatever that might teach me.

And here comes the complexity, the wish that I were a simpler person. I’m feeling that longing quite intensely, thinking about stepping off the earth, off the public presentation of self, and just being here. Just being here in the wild, lonely solitude of Heaventree… and yet I have to wonder and worry about that, because I know me and my history. Is this impulse a sign? Is this a withdrawing impulse that connects to something darker? I don’t think so, I don’t feel that at all, but I have to ask myself that question. I have to answer that question for people who love me. Are you OK, Lori? (How is mom? Have you talked to her? How are you, mama?) How is it inside you? Are you OK? Really?

That’s my post office. I live 1.5 miles up the road to the left, up the mountain. The white car is Brandon’s. Tammy delivers the mail, but not to me.

Marnie and I talked the other day, and I was telling her about the adjustment, about how inconvenient rural life can be. How Brandon is at the post office between 8 and 10, and then between 3 and 5, and that’s it. How I’d gone to the post office at 2 expecting no mail but just wanting to get out, and found a notice that I had a package, so I had to go home and then return at 3, and when I did, there was a handscrawled note: “In the bathroom, back in 5 minutes.” And so I waited in silence for Brandon, and when I saw him it was notable to be having a conversation with a person. (And I talk to Marc every day on the phone, and text my daughters throughout the days, but a real in-person conversation has become extremely rare.) I went to the Pine Hill library the other day to pick up my library card, and their website said they were open at 2 on that day of the week, but when I got there, a sign said, “Hey! We’ve changed our hours, now we open at 3. Join us for knitting the 1st and 3rd Thursday of the month, Tina will be here!” True rural life is solitary and inconvenient and dependent on how other people happen to be feeling, whether they’ll be there as advertised . . . or not. And so my one chance to talk to a living person is set aside for the next day. Maybe.

So I gradually become more accustomed to my own company, for days at a time — and I like my own company, thank heavens I learned that in Austin — and I begin to wonder what I might learn, left alone with my thoughts and with the forest. I wonder. I wonder the shape of my heart. I wonder the shape of my mind, my want, my need. When I am fully alone, in silence, whether walking or driving, I begin again to recognize my own mind. I have my own thoughts, my own imagery, my own landscape that’s just nearly unrecognizable, because it’s unlanguaged. And I am so very, very languaged.

Social psychology, my own subdiscipline, takes as its starting point that our very SELVES are social even if the ‘other’ is only implied and not present. That without others, there simply is no self. And so I think about that, not just from an academic perspective but from within my own solitary self, here on the side of a mountain, deep in a valley in the lonesome old Catskills. Who am I without others? Am I, without others? What is that, who is that? I spent my second summer of graduate school reading philosophy of self, and while I began that summer with an almost irrationally angry defense (“Of course there is a self, who do you think is even asking the question?!” I’d say, usually suddenly and mysteriously on my feet and with a red-flushed throat), by the end of that summer academic philosophy had done its thing, and I no longer even understood the terms of the question. Self? What is that, really? Me? Who am I, really?

To summon but shift Prufrock, I wonder: Do I dare?

Performing a Life

I read a great article about Aziz Ansari and his recent abandoning of all things social media. The main reason I read the article is that I am thinking about something similar, about stepping off of that platform, that host of platforms, because I’ve begun to think about how we perform our lives instead of living our lives.

Well, instead of saying we, let me say I. And instead of just throwing out the phrase “performing my life” let me speak with a little more complexity about it, because I do think with complexity about this, all the time. I’m always bewildered by people who apparently think that the lives they see on social media represent real life — that other people always have it together, always have Pinterest-ready food, and magazine-worthy interiors, and happy-memory-prepped experiences. Really? And yet people do seem to think that, despite how mysterious that is to me. And I try hard to be as honest in my representation as I can be, without (a) being gross, (b) betraying the lives and privacy of others, and (c) committing unnecessary self-flagellation. Still, even with those cautions in mind all the time, I recognize the way later presentation has infiltrated my in-the-moment experience of things. When we were hiking around Belleayre Mountain last weekend, scouting a place to watch the Perseid shower in a few days, as I looked at the flowers I wasn’t really seeing the flowers. I was seeing whether they would make a good picture. To share.

These plants become more than yellow flowers and white fluff, they become evidence of the summer coming to an end.

And the complexity is this: by taking photographs, I have become a keener observer. I see more things than I did before I started taking pictures. By writing so often, I observe more closely. I take in material through a storytelling lens — that hike isn’t just walking over rocks and crossing creeks, it’s an adventure, the shape of which will be determined by how it ends, which will become a part of the story’s beginning lines in some way. By observing as a storyteller, the experience gets a kind of form it might not otherwise have. I love the way taking pictures and writing has made me a better observer, a better watcher, a better listener.

But it’s that add-on that makes a difference — not just “would that make a good picture” but “would that make a good picture to share.” And that shift takes me to performing a life in some different way. I do love to share things I see, and especially since I am alone so much at Heaventree, having a place to say, “Look! Look at this, isn’t it beautiful?” is a nice counter to my solitude, while still allowing me the solitude. And frankly, it’s a different experience now that I am in an entirely new place, in an entirely rural, lonely place, and without real people [yet] to spend time with. Withdrawing from social media in my Austin life would’ve been very different than doing it now, where it might be filling an important need in my transition away from such a social life.

Needing to withdraw from the political discourse has also shifted my experience of social platforms, moving me a little more towards Instagram than Facebook. I notice a shift in my state when I have to read more than a couple posts about the Republican nightmare we are trapped in, but by the time I feel that and close FB or IG, I already feel terrible. It’s too late by the time I feel that first punch. So I’ve pulled away from the same kind of participation in Facebook that I used to have, already. This month I’m participating in Susannah Conway’s August Break 2017 Instagram project, which is dedicated to paying close visual attention to the world via a daily prompt — yesterday it was “my eyes” — and that’s fun but not deeply meaningful to me.

And so I am thinking hard about how to do this so I still get the parts I need, which are (a) local news and events, and (b) the maintenance of connection with friends all over the world. I don’t know how I’ll do that; perhaps with a FB list of local news pages and the people I really count as friends, and a quick once-a-day jump on and jump off? Or maybe I simply need to pull the bandage off with a quick, hard rip. Another possibility is to take a hiatus, maybe start with one week and then take a month. Whatever I do, I will continue to write here, I know that. That presents a lopsided dilemma: I share myself with you, but don’t have the same opportunity to learn how you are doing, and that’s very important to me too. I always invite a conversation on my posts, and welcome whatever you have to say, to share, but it’s not your platform and you don’t know the other readers, the way I do.

Hmmm. Seeking.

DANG IT.

“It was through the discovery and exploration of the unconscious that Freud made his major discoveries, chief among them that from birth to death we are, every last one of us, divided against ourselves. We both want to grow up and don’t want to grow up; we hunger for sexual pleasure, we dread sexual pleasure; we hate our own aggressions–anger, cruelty, the need to humiliate–yet they derive from the grievances we are least willing to part with. Our very suffering is a source of both pain and reassurance. What Freud found most difficult to cure in his patients was the resistance to being cured.
Vivian Gornick, Fierce Attachments

So last night I was on my yoga mat. (Yay! I did it!) It had been a very busy day, including an unexpected trip to Kingston to get something fixed on my car — an hour and a half round trip to Kingston alone — and lots of up and down the stairs to the basement, so instead of taking a vinyasa class, I took a yin class. Lots of quiet, lots of long holds of poses, lots of deep focus. And right there I realized my problem. Dang it.

I don’t actually want to stop being chaotic in my head. I mean, I do of course, I do want that, but unlike the last time, this time I am solely motivated by getting this weight off me. That’s really what I’m doing all this for. The inner chaos is a torment, but this time it’s really just a weight loss strategy with some side benefits I happen also to like. No wonder! No wonder I’m fighting myself with all I have about being mindful. No wonder. I’m doing something I don’t want to do.

And yet I do want it. The essential Freudian dilemma. I am resisting the cure I am desiring.

Now what, Freud? [I insist on leaving out that ‘r’ every time I type his name, so “Feud,” which is surely some kind of Feudian slip, right? 🙂 )

But seriously. Now what? I do want that quiet. I want it. I want the peacefulness I had. I want that centered feeling. Perhaps I’m still too unsettled in my psyche by this relatively dramatic uprooting of myself from suburban Austin and lots of people to a rural place that’s quite gorgeous and also fraught with new challenges to learn about, and no people. Maybe my psyche hasn’t caught up with my body — it’s still en route, maybe somewhere in Virginia, if it took the first route I took in the big truck.

Maybe this is why it’s the change in my body that is satisfying me, and why the change in my mind isn’t happening yet. Does seeing this make it change? IF ONLY. HAHAHAHA. If we could think our way out of problems, change would be easy, as my husband says on his therapy website.

I remember when Jeff, my food coach, said something antithetical to the therapy-focused position I’d held for years: at some point you just have to get off the couch. My tendency here would be to analyze this, to mull it over, Why, Lori, why are you being so resistant? Is it an unwillingness to abandon the political fight? Is it…. BLERGH get off the couch. Shit or get off the pot, as my old grandmother inelegantly said. Do I want to let go of the chaos, really? Then let’s do it.

doing it when it doesn’t come easy

My trip to NYC was just wonderful, and I’m so so glad I can go anytime I want, again — we walked in the park for hours, we did a lot of stuff for Heaventree, we had dinner with my stepdaughter Anna, who is about to move to London (at Awash, my favorite Ethiopian restaurant which is also in our neighborhood luckily), and we went to a concert Saturday night in Riverside Park. The Clay Tennis Court Association presents a concert series every summer on the hillside near the tennis courts, and every summer the line-up is the same, rotating through all kinds of music. Last Saturday it was Efendi, a small ensemble that plays music from the Middle East (and they pull Greece into that zone). The band comprises a clarinet, an oud, an electric guitar, and percussion instruments, and the oud player also sings.

This is Dorit — not my photo obviously; the audience faces into the sunset, so quite often the musicians and dancers were in silhouette. But isn’t she beautiful?

Every year they also bring in a gorgeous belly dancer, Dorit. Partway through the performance her students join her, and I’m telling you: it is mindblowingly gorgeous to watch them. They are mostly middle-aged and older (one woman was probably in her 80s), they are representative of NYC (a Chinese woman, a Vietnamese, a Ghanaian, an Israeli, and a variety of others), and their bodies are all sizes. And every single one of them dances like she is the most beautiful woman in the world . . . and so they are. It doesn’t matter how large their bellies might be, or how skinny, the women dance. In the last 20 minutes of the concert, the teacher asked the audience to stand up and she taught everyone how to dance, beginning with the most accessible moves — the hands, twisting and spiraling, and raising above heads. And as I looked around at the smiling audience, I could see that all of them felt beautiful, too. Honestly, this makes me cry every single year.

Several minutes later the sky became a neon pink and orange — almost lurid — but it started here, just a lozenge of color tucked under the George Washington Bridge. I love the path along the Hudson, with the streetlights and people walking, biking, talking, laughing.

It was also glorious to see the sunset again, which I miss here at Heaventree. Even when I just drive away from my house, down to the post office, I get more of a vista (though still not sunsets; I’d have to drive up the mountain to see that, I guess). I do miss sunsets, so I’ll just have to soak them up every time I’m in the city. Driving to NYC, I felt such a pleasure dropping down, down, down, down, from the elevation of the Catskills (my elevation is only 1,330 feet), down to the Hudson River, and then further down, down, down to the sea level of NYC. I love anything that wakes up my awareness to living on this planet, to the planet-ness of my life. I probably won’t go back to the city until the last weekend of August, in part because we are going to be painting this weekend and next weekend preparing for the carpet installation the following Monday — plus, I want to be up here in this remote area for the Perseid meteor shower, which is supposed to be magnificent this year.

To the point of the post’s title: doing it even when it doesn’t come easy. When I changed my life a few years ago with mindfulness and yoga, it was mysteriously easy. Mindfulness slid me into more changes than I set out to make. Mindfulness brought me into so many different ways of living, and it also helped me lose a lot of weight. I started at 155, and at my lowest I was 126 (which everyone assures me is way too low for my 5’10” height). I definitely wanted to lose some weight, but that’s not where I started. I started from a place of hating all the chaos of my mind and attention, of hating feeling shattered and fragmented, from wanting stillness, and from deciding just to do one thing at a time. And the rest just slid into place. Yoga slid right in there, and with almost no exceptions (none I can recall), it was always a pleasure and easy to head toward the mat. It was always easy to stay present there.

It still isn’t easy, this go-round. It’s not. It’s not getting easier, either. I force myself to go unroll the mat. I force myself to queue up a class. I force myself to stay sitting there. I have to play tricks on myself to remain present, which mostly means putting my phone upstairs and turning off the bluetooth speaker downstairs that connects to my phone, so I don’t hear any notifications. Today is the 17th day, and it’s no easier than it was the first day. Doing one thing at a time is no easier, and it has not been easy at any moment. My mind is no quieter. For some reason I have hung onto an image from one of the Carlos Castaneda books — that the great Raven plucks out a spirit from the vast circle of them spinning around, flying in a chaos of noise. That image feels so much like my mind, still.

Eating well has gotten easier, at least. I’ve lost 7.5 pounds since I started, which means I also get to put away the sole larger pair of jeans I’d kept because they are now too big. That feels so great. My body is feeling better in terms of feeling it — the bulk hangs around my hips and stomach, and there being less bulk just feels better. My chest is going down again too, so my bras fit better and it’s easier to sleep. I feel like I’m slipping out of my terror body, the heavy one I race to when I feel under threat, so that also makes me feel like I must be feeling less threat. Drinking my green smoothie every morning is a little easier, although it’s less good than it was in Austin, when I had an abundance of frozen fresh peaches from HEB. They just aren’t available here, so it lacks that emerald shade of green and the slight tartness that the peaches added, but I’ll adjust to that.

But I persist. It is not easy yet. It’s still not easy. It’s still not quiet, and in fact it doesn’t feel ANY quieter, yet. But I believe it will come if I keep at it, and so I do.

Onward. xoxox