1) I once knew a very bitter old woman named Ann-Marie who said NO, no matter what you asked. Back when her kids were almost teenagers (she was in her late 70s when I met her), she had gotten tired of doing for everyone, of always being the one who sacrificed, and so she decided that whatever they asked her, she would say no. “Will you take me there?” NO. “Can you bring—” “NO.” There was almost nothing they could ask her that would get a yes answer. She stuck with it too, to a truly remarkable degree. Even in her dying years, she would still say no to almost any request. It was stunning, and sobering, and her bitterness is the main thing I remember about her. My kids were pre-teens when I met her, and she became a cautionary tale for me, about the poison of years-long, intense self-sacrifice. As with all things, it’s a balance and we all have to find our own way, but I know I’ve too-easily felt like I gave away the farm, like I just said yes, sure, I will, OK, whatever you want way too often. And the underneath of that (the “the dark, tarry smear” of it, to steal a bit of a quote that Peggy shared yesterday, by Amy Bloom) is resentment. And resentment is definitely a poison. I tell my daughters all the time not to constantly set themselves aside. To get themselves a new shirt when they need one, instead of wearing a ratty old one but buying another toy for their babies. To go out for some time to themselves.
So at the guided meditation at MoMA yesterday, when the meditation teacher asked us to think of a characteristic we might want to focus on in the coming year, I heard in a very quiet but clear voice that I want two things: (a) quiet, and (b) selfishness. And by that I mean that I want to privilege myself in the coming year, I want to pause before every commitment and allow my own needs and desires to be my first consideration. I’m a pleaser and a sacrificer so it’ll be hard and that probably means I don’t have to worry too much about becoming the bad kind of selfish; privileging myself will just help me course-correct and bring me a little closer to some illusory middleground. It’s hard even to say this! I don’t want to be like Anne-Marie, obviously, but this is something that will be helpful to me, I hope. YES. I say yes to this.
I would ask if this is something you struggle with, but since everyone who reads this (as far as I know) is a woman, I imagine the answer is yes. And to the degree it’s less true for you, I also imagine that’s because you pointedly worked on it. Yes?
2) Tonight I’m meeting my friend Craig for dinner at an Indian food restaurant, but before then I’m going to the main New York Public Library because the Rose Reading Room reopened in October after an extended period of renovation. I’ll take my moleskine and my beautiful pen and sit at a long table with a low light, underneath the magnificent ceiling, and write for a while. That will be a slug of beauty in my day, for sure. My friend Anne mentioned seeking out a beautiful thing to photograph every day, and January in NYC makes it pretty tough but I am sure I’ll find a corner, a bit of architectural detail, a book jacket, something to relish.
3) So, my new theory. Going to MoMA for the Quiet Morning event was as juvenating (not rejuvenating because I was so low in the trough there was no juvenation to re-ignite) as I’d hoped and maybe even more. This depression, this new kind, isn’t about my deep psyche, and so I imagine that’s exactly why art is working. My depression is about the world, the bitter cold wind of it, the tyrant-coming of it, the fear and dread. Because every day brings new terribleness, it’s hard to find space to catch my breath and get my head above the depressed water. But art is still in the world, and artists. Poetry, and poets. Music, and composers and performers. Dance, and dancers. Beautiful novels, and novelists. That’s all still there, too. And so are blue skies (just not where I am, FOR REAL) and all my favorite clouds, and Bali, and Vietnam and Laos, and all the places I’ve loved. To help with this depression, those are the medicine, soaking them in, being reminded. Unusually, my people aren’t the direct medicine this time, because the dread world is going to steamroll all of them and so they remind me even more of my fear and dread — oh no, not them too, please. Please.
I’ve already bought my ticket for the next Quiet Morning at MoMA, February 1, and in between I am planning to keep inoculating myself with art. I think I’ll pick an artist for each week, and a poet for each week, and sort of assign myself to soak them up in a more focused way. OR I could choose a color for a week, here and there — brilliant golden-yellow, find art that features that color, maybe, or crimson, or blues (OH MY the blues, I saw some extraordinary blues at MoMA yesterday).
And that reminds me of a thing Sherlock used to do, back in the pre-digital camera days. I did this with him one Saturday our first year of graduate school I think, and it was fabulous. Before we set out with our cameras loaded with a roll of film (36 pictures, if I recall), we each chose a theme. Circles, maybe. Red. Words. Something abstract like that. Then we just drove. We drove through the countryside, we stopped in very small towns, and we took photographs of whatever fit our theme. When we’d taken all our pictures, we dropped off the film to be developed and printed, and we went out for lunch while we waited. It was so much fun, I remember it still (and that was probably 1999, which is….what? No, really? Eighteen years ago??).
Republicans don’t appear to think so, but we need art. We need beauty. We need the abstract. We need the Big. xoxox