what is it with me and circles

Apparently I’ve written 20 posts about circles, including one post explicitly titled ‘circles.’ I love closing a circle, and I’m not the only one, of course. I really adored this thing Roger Ebert wrote in his lovely memoir, Life Itself:

“I may appear to suffer from some sort of compulsive repetition syndrome, but these rituals are important to me. I have many places where I sit and think, “I have been here before, I am here now, and I will be here again.” Sometimes, lost in reverie, I remember myself approaching across the same green, or down the same footpath, in 1962 or 1983, or many other times. Sometimes Chaz comes along on my rituals, but just as often I go alone. Sometimes Chaz will say she’s going shopping, or visiting a friend, or just staying in the room and reading in bed. “Why don’t you go and touch your bases?” she’ll ask me. I know she sympathizes. These secret visits are a way for me to measure the wheel of the years and my passage through life. Sometimes on this voyage through life we need to sit on the deck and regard the waves.”

Wheels, echoes, circles figure heavily in my experience, and I touch them regularly — especially the older I get, which is kind of an obvious thing. As I’m getting ready to leave Austin, I keep having these experiences. In many ways, moving back to Austin in November 2012 was a closing of a circle, and as I prepare to leave, I’m closing many circles that opened here. It’s kind of extraordinary.

This was at my birthday celebration with friends November 2015. We somehow always end up like this. Isn’t she beautiful?

Sunday night I will have dinner with my beautiful, beautiful friend Lynn, who I recognized in such a deep way the moment I met her when I first moved here. We didn’t get to see each other very often; she was gone, I was gone, we were busy, but it didn’t matter. She is one of those people I just knew the moment I met her, and we are good no matter what, we are connected no matter how long, how far.

When I moved here, I joined a number of Meetup groups so I could encounter people and find friends. It’s hard to find friends when you’re an adult, anyway, but when you’re 54, and you work for yourself at home, and you’re new in town, it’s SUPER hard. I had no interest in being a professional Meetup-er — plenty of people are, it’s just not my thing — so I joined very specific groups to increase the chance of meeting similar women, including a “women who travel the world” group, or whatever the specific name of it was. I never went to any meetings, but in my profile I listed the places I had traveled to, and that list included Myanmar.

See what I mean? This was my birthday November 2016, and again we were with our big group of friends — all of whom are wonderful — and somehow Lynn and I end up like this.

Lynn contacted me through the system because she wanted to travel to Myanmar, and we arranged to meet at a restaurant called Apothecary. There was an instant connection, and our friendship just was. I never went to a single meeting of that group, and unjoined before too long. So Sunday evening, I am having dinner with Lynn at Apothecary, her deeply wonderful idea to meet at the place we first met, and that just feels so extraordinary to me, closing that circle. Our friendship will continue always, even if we only talk once in a blue moon, but we get to close this circle together.

I moved to Austin when I was 2, from Abilene, and this was my fourth separate time to live here. (I just sketched out those years — 1962 to 1972, 1977 to 1987, 1998 to 2003, and 2012 to 2017 — 10 years and 10 years and 5 years and 5 years, so interesting!) It’s been funny to me, living where I’ve lived this time in Austin, because it was a return to my oldest time here. I live 1.4 miles from where I lived when I was 6, when I became Queen of the Pillbugs. I hear the same trains at night that I heard as a girl. And every time I go to the grocery store, I drive past the apartment complex where I lived when I was 18. Something about this whole time in Austin has been a deep circle, a constant resonant hum. But last night, as I passed the apartment complex on the way to the store, a song came on that I listened to non-stop when I lived in that apartment, just at the moment I drove past the entrance. (It was 1978, don’t laugh.)

Barry Manilow, Sunrise. From the Even Now album.
I still have the album, thanks to my daughter Katie who kept it for me. I bought it Feb 1978.

That converging of music and specific spot threw me back, and if I hadn’t been thinking I might just have pulled into the complex and walked up the stairs to my apartment, which felt so fancy then, a whole apartment of my own with rented furniture and my few precious objects that still sit here in my house — Big Daddy’s hard hat, and his cat door stop — and my old record collection which sits now in my yoga room and there was nothing else there because there was so little of me, then, and time circles in and circles around and there we are lost in it but if we’re lucky we get to notice.

It’s not about a reverence for the ‘old days,’ or a wish to go back, but more an appreciation of how long life is, how mysterious it can be, how nothing really ends but only echoes, and if you get real quiet and listen, you can hear the echoes, too.

layers of time

up from his morning nap one day — classic Ilan move, pointing

What a wonderful time I had in Chicago — too short, as always, but filled with all kinds of wonder and happiness. Every morning I got up with Ilan so Marnie and Tom could get a little more sleep; he usually wakes up at 5:15am and is up for two hours and then goes down for a nap, so it was my pure pleasure to take that 2-hour segment of time with him.

I went to Chicago to celebrate Marnie’s 32nd birthday (Friday, March 3) and Ilan’s first birthday (Wednesday, March 8), but I arrived mid-afternoon on March 3, and left mid-morning on March 8 so the celebrations were a bit more formless and leaked into the surrounding days. On Saturday March 4, Tom and Marnie spent the day out on a birthday ramble (their birthday specialty), so I had the whole day with Ilan, all to myself. I was playing music for us, my ‘iphone playlist’ which is just a random assortment of music I love, while Ilan ate his morning snack of goldfish crackers laid out around the perimeter of the coffee table, and this song came on. Richard Harris singing MacArthur Park, remember? From 1968?

As it does for most people, I guess, music jerks me around in time. And suddenly I just saw and felt all the layers of time going on in that moment with Ilan, generations of time, generations of moments and experience. I was simultaneously 9 years old, listening to this song and for some reason feeling how much I loved my dad, living in a terrible house of violence and the impending divorce of my parents; 19 years old, listening to Donna Summer’s great disco version of the song, living secretly in the office where I worked in Austin; in my late 20s, giving my own little kids a snack of goldfish crackers and watching them be my beamish little ones; and 58 years old, watching my littlest grandson do the same thing and being my daughter’s (and my) beamish little one. All those layers, all those moments, all those very similar experiences, all felt by me in that one light-filled moment. It made me cry, and it made me so grateful to be my very age, able to hold all that life and world together.

One of the hundreds of most-wonderful things about Ilan is how much he loves the Feist song, 1234. (I think Oliver loved it so much too — what is it about this song?)

He just couldn’t believe it.

Marnie got Ilan a small handheld bluetooth speaker of his own, and when she plays this song he just holds the speaker and stares at it with an extraordinary expression. He’ll glance up at her, and at me, and at whoever is in the room, with an expression I can’t exactly name but I know it completely.

Of course he’s one, and being one you put everything in your mouth at some point, but there were times he was holding the speaker and listening to a song, and he put it in his mouth and I thought he was really wanting the music to be inside him as much as anything else. I thought about this great story that Maurice Sendak told:

Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.”

I remain filled with all the wonder of my time in Chicago, the hours I got to spend with Ilan, the hours spent with Marnie, talking, and the evenings with Marnie and Tom over dinner. And I’m always grateful for those brief moments of seeing how time and life work together, and it’s all right there inside you all the time, waiting for something to break through so you can see it.

songs and echoes

I was 21 here, and during all these years I always had my guitar with me
I was 21 here, and during all these years I always had my guitar with me

When I was a young mother, one of my favorite routines centered on my kids’ bedtimes. With three kids and just one of me, time alone with them individually felt so precious. We had regular dates, but I especially loved the tucking-in time — so much that I spent a long time with them, one-on-one. Most nights I took my guitar with me, and after we’d talked about their days and whatever else they wanted to talk about, after we read together, I’d play my guitar and sing to them. I loved it when they’d drift off to sleep while I sang (least often it happened to Katie, who was older and not falling for that). I’d sing softly and watch their little eyes get heavy, watch them resist but see their bodies relaxing, and I’d keep singing long after they seemed asleep. The only thing that helped me get up and leave the room was that the next child was waiting. It was every bit as important to me as I hoped it was to them. But you know, you do all these things with/for your kids and you don’t know, you’re just doing the best you can.

When they were teenagers the tucking-in routine changed, since they didn’t have a ‘bedtime’ exactly, and singing to them dropped away. You know how you wonder if they remember the things you did for them when they were little, and you see so often that they don’t? But it’s OK, because you did it for them, and the memories are in your heart anyway. Even today, when I remember all those hours singing to them, my eyes fill with tears and I get soaked with such deep happiness. Those were some of my best hours of mothering.

Marnie sings to Ilan — who is currently a huge, giggly fan of the ABC song — and said she keeps trying to sing one of the songs I always sang but she can’t do it because she cries. (“Song of Wyoming,” John Denver, which is one of my very favorites and lovely as a lullaby. I can’t play and sing it without crying now either, it’s so tinged with those sweet memories.) I get to hear Marnie’s soft, sweet voice singing to Ilan on the little videos she sends of his delight. Her voice is like mine was, with a soft, feathered edge.

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Katie sings to Oliver, I knew this and have listened to her sing from the very beginning. She has an extraordinary voice, strong but gentle at the same time, and she’s really good. Katie’s specialty is songs from the 60s, music she dearly loves. Oliver has become conditioned to falling asleep to Goodnight Sweetheart (well, it’s time to go / goodnight sweetheart, well, it’s time to go / I hate to leave you but I really must say, oh, goodnight sweetheart, goodnight). Gosh I love hearing her sing that song to him.

And then a couple of nights ago I was at her house, helping with Oliver so she could get some packing done for a week-long road trip they were taking, and I stayed through Oliver’s bedtime. They have the sweetest routine as a family. Katie sits in the chair, Trey lies on the floor, and Oliver plays and wrestles with Trey and climbs into Katie’s lap for some reading, and sometimes he runs in circles to make everyone laugh. And then Katie starts singing — and Oliver dashes over to his bed and crawls up to his pillow and lies down to listen. After the song ends, Katie and Trey kneel by his bed for goodnight kisses. It’s extraordinary.

But I lay on the floor, listening to my beautiful daughter’s exquisite voice singing “Dream a Little Dream of Me,” that great old Mamas and the Papas song, and just broke down crying. It’s a hard song to sing, an often complex melody line, and then a leap up to a higher range, and some soft scatting at the end, and Katie just flowed through it with all the love she felt, and I felt it too. Trey has a gorgeous voice too, deep and rich, and he joined in, threading harmonies alongside Katie’s melody. What a lucky little boy Oliver is. What lucky boys my grandsons are. Here’s Mama Cass singing — quite a gorgeous song, and she is wonderful — but Katie’s version is even better.

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I sang to my children, and now they sing to theirs. Mamas often do, that wasn’t something original to me obviously, but I’ll take this next-generation singing personally, as a gift I gave them that meant something to them, something they want to give their children, too. Good mamas, love echoes.

one mystery solved!

It’s not often you get to solve a decades-long mystery if your name isn’t Nancy Drew and there’s not an Old Clock or a Hidden Staircase nearby. The mystery related to music from my teenage years — The Eagles, Elton John, Linda Rondstadt, Chicago, various disco songs, Loggins & Messina, John Denver. When I hear any of that music my heart soars and I feel SO happy. So, big deal? Big news from the Department of DUH.

But the mystery is that my teenage years were pure hell. I didn’t have a home. Terrible things were happening to me. Truly terrible. So why would the music that is cellularly associated with that period make me feel happy? Weird, right? It’s not like the music was playing while my chums and I rode in her convertible to the Friday night football game to meet Ned and the boys. Not like that at all. This has puzzled me for decades, it really has.

There’s a good-sized box of old albums of mine, including one album I saved up to buy when I was 10. It was a collection of classical music, and it was advertised on television. So I saved and saved and saved and saved and got my dad to buy it for me. Mother ridiculed and belittled me for it and accused me of just wanting to be different, but I really did love the music. I still have that album. It’s 47 years old. When I was in high school, I remember storing the records in my locker during the school year, and in the summer I’d hide them wherever I worked, since I didn’t have a place to live. For a short period I had a car to live in, so I kept them in the floorboard, alongside a chess set my dad bought me in Mexico when I was little. Those were my worldly belongings, along with some clothes. Somewhere along the way I lost the chess set. I didn’t get to listen to my records through my teenage years, no stereo, but of course the songs were playing everywhere so I heard them.

not this bad, but not a whole lot better
not this bad, but not a whole lot better

I haven’t had a turntable in . . . no idea. No idea how long it’s been. My daughter Katie is our family’s repository of all things family, and she’s been storing the box for me for longer than I can imagine. She asked if I wanted my records, now that I have space of my own, and I said yes, and spent a lot of time looking through them, remembering. And then I bought a really cheap stereo with a turntable. Really, it’s just a step up from a Fisher Price record player. It has a built-in CASSETTE PLAYER and an AM radio. It seemed to come from somewhere in China. I don’t care; for me, it wasn’t about having a high-class listening experience — after all, the records are ancient and have been through a lot. For me it was just about listening to my records a couple more times.

just a few -- I have a LOT of Eagles
just a few — I have a LOT of Eagles

So I pulled out Hotel California, one of my very favorite old albums. We used to listen to music so differently, remember? We’d start at the beginning and listen to a whole side, and then the other. Songs in order, and in whole. We used to read the liner notes. So I set up my little stereo on a low table in my yoga room and spread out some albums all around me, and placed the needle at the beginning of Side A. Scratch scratch MUSIC! And then it hit me.

Even in those hard years, I was me. There was me in there, and somehow, I have no idea how, I felt joy. I felt my joy, the way I do. I was the person who gets really excited about things, notices things, feels happiness with small things. There was me in there, dreaming of someday. Dreaming of having a place to live, dreaming of finishing high school and making my way to Austin where I would finally begin life and get away from my family completely. I was in there, living in my head, dancing inside. The things were happening to me, and around me, and too much of my time was spent trying to get through to the next day, but *I* was not that. I was still 14, 15, 16, 17, loving those songs just like everyone else, even though my life wasn’t like everyone else’s. I’ve always been here as me.

this exactly -- except the paint on mine was faded and not shiny, and the car was in bad shape. this one is kept up.
this exactly — except the paint on mine was faded and not shiny, and the car was in bad shape. this one is kept up.

In October 1976, I’d made my escape plan (I had an old car at the time, a ’62 Nash Rambler, dusty pale green). Don’t laugh — I was going to drive from Wichita Falls to San Antonio, find a convent and bang on the door and ask them for sanctuary. That was really my plan. I didn’t have plans beyond that, and I had no idea where a convent might be, but San Antonio is full of Catholics so I figured I’d find one. For some unknown-to-me-now reason I decided to tell the guidance counselor at school that I was moving the next day and I told her what my stepfather did to me as an explanation for my move. Guidance counselors weren’t trained very well back then, so she called my mother. Later that day Mother had me picked up and placed in a mental hospital and then no one could ever believe me again. “You know, Lori is crazy, you can’t believe a word she says,” eye roll.

Back then the stay was 3 months, which I didn’t mind, frankly. A warm bed, a hot shower, three meals, pretty good. I have a lot of stories from that time. I spent my 17th birthday, Thanksgiving, Christmas, and New Year’s there. She took me out for a day on Thanksgiving and took me to see One Flew Over the Cuckoo’s Nest — you can’t make this shit up! If I read that in a client’s novel I’d cross it out and say “COME ON.” But I remember what I wore, how it felt to be there. ANYWAY. So while I was in there, my stepfather took my car and sold it. On the day I was released, I remember this so so well, I walked out the front door of the hospital to nothing. I had nowhere to go. No car. Nobody. The clothes on my back, and a few in a paper sack, but no coat. (Luckily, my records were still in my locker, and thank heavens for that.) There was snow on the ground, as there is in far north Texas in January, on the plains. I was standing there trying to figure out what to do, and then a car drove past with the radio playing so loud I could hear the song: New Kid in Town. The Eagles. And I smiled. I smiled because I loved the song, I loved the Eagles, and I kind of felt like a new kid in town after three months of a bed and regular meals. I walked down the steps, down the walkway to the street, and turned right. I don’t remember where I went or where I found to sleep that night, but I remember that moment, and that song, and I remember smiling — me, it was about me, not my circumstance.

This is such an extraordinary bit of understanding for me, because it’s about so much more than the music. It’s about getting whacked in the head with the realization that I WAS THERE ALL ALONG, even then. It was always me inside, I was not my circumstance. Lori Dawn was in there, singing and dancing and dreaming. I never realized that until now, as strange as that sounds.

I always did want to be Nancy Drew, and I was always so jealous of the way mysteries always seemed to happen around her, and never around me. But I guess this one did. To me this isn’t a sad post, a sad story at all! This is a joyous one, a gift to myself. A 57 years old gift of light.

the word is just too BLAND

“Happy.” It’s like “nice.” Both are valued things, of course, but meh. What bland, too-simple words. It’s just a word, happy, so maybe the problem is really how we’ve come to think about it. Smiley faces, a particular feeling of some degree of joy or contentment or pleasure, be happy, if you’re happy and you know it clap your hands, clap along if you feel like a room without a roof because I’m happy. Happy. I’m happy, are you happy? The happiness industry, do these seven things to be happy, here are the daily habits of happy people. Gratitude makes you happy. Happy.

Yesterday I was scanning my playlists, looking for one to listen to while I cleaned my house. There’s a lot of overlap of music on some of the lists, but the one I most reliably listen to for background music is one titled “happy.” I clicked it and scanned the list deciding whether to choose shuffle or the order they’re in, and busted out laughing at the songs on the list. There are some that most people would consider happy songs, but about one-third of the list includes songs that no one would consider happy songs. And in fact they’re songs that fill my heart with melancholy, or pull up a very sad memory, and some are even associated with such a painful memory I have to sit down. That’s my happy playlist, and it reliably makes me happy, the whole thing.

weavingBecause happiness isn’t simply a shallow thing on the surface. Happiness can be complex, happiness contains some sadness, some memories of loss, some melancholy, and the ability to hold those things as part of the complex experience of a lived life. That sad song that makes me have to sit down? It really kind of breaks my heart, and I can only listen to it once or I have to get in bed and cry. But as part of the tapestry of my playlist, it’s that dark shot of weft that deepens everything. The memory of love lost, or happiness experienced with a thrill and then squandered or shifted, those were happy too, I was happy then too, and so my heart aches from the loss but I also hold the greater memories of the happiness, the joy. I’ll bet you’ve had the experience of hearing a song connected to a loss and filling up with tears, but also feeling something good, some connection, some remembrance, a mixed feeling of happy/sad. Maybe even laughing and crying at the same time. (That’s so me.)

I do have blissed-out moments, and quite often, where I experience awe and have no words, or when the moment is just so present and I am aware of my life in a particular way, or when Oliver smiles at me, or when I’m with my beloved children and we’re happy together. Or when I’m making beautiful food, or my writing is going well, or I’m dancing and laughing in the park. I have those moments that are kind of purely “happy.” But most often, my experience of happiness holds the complications of the various kinds and experiences of happiness; they feel less fleeting, and with an amalgam of contentment, pleasure, something, with the more complex experience of happiness. For as much as life really only happens in the moment, and as much as I strive to be present in it, the truth is also that I have lived a long life, filled with a staggering number of (and kinds of) experiences, and they are in me, body and soul. Some make me happy because I survived . . . but that happiness is real, even if it came out of darkness. So I sit in this present moment and feel my life resonating through me, in this present day. (Plus, as my daughter Marnie said about me in a Facebook birthday post, I do love to feel all the feelings. That makes me happy, being able to feel them all.)

I thought it was so loving and true in places that I saved it. :)
I thought it was so loving and true in places that I saved it. 🙂

Maybe this is just me. I never have a clue if my experience is weird and deeply idiosyncratic, or if you feel something of it too. If you don’t, then here’s an explanation of one way happiness can be deeply felt. And if you do, you aren’t the only one!

Happy Sunday. I hope the sun shines on your face today. xo

unlocking it

carsonIn the new season of Downton Abbey that you’ve only seen if you live in the UK or if you’re an Internet pirate like me, Mr. Carson says, “The business of life is the acquisitions of memories. In the end, that’s all there  is.” I kind of want to argue with him, but every argument I come up with ends with me thinking, well, OK, that’s about memory. Hmm. I think it does come down to this, which is what family members struggle with when their loved ones get Alzheimer’s and disappear with their shared memories.

And you know how there are triggers for your memories, things you think you don’t remember at all, until some specific thing unlocks it. My idiotic mother’s perfume used to be Jungle Gardenia, and for years after, if I entered an elevator and someone had been wearing that perfume, I went into a panic, a full-body unlocked memory of fear and trembling at her hands. Other things too, my much younger memories of how beautiful I thought she was, all those kinds of things. It was a huge complex of memories unlocked by smelling that one smell. Good things, terrible things, responses my body would make, responses my emotions held. One smell, a world of memories mercifully forgotten until I hit that trigger.

That’s a bad thing about having PTSD, of course — the omnipresent and sometimes surprising or unexpected triggers that unlock the memories that are stuck and swirling around. Of course it works for the good, too; I’m sure you’ve had the experience I’ve had, of not knowing something, not remembering it (like, at ALL), and then all at once there it is in whole complete form. And you’ll say in wonder that you hadn’t remembered it, didn’t know you still remembered that thing.

Yesterday morning I woke up singing the song ‘More Than Words,’ from the late 80s I think? I didn’t know I remembered that song at all, if you’d asked me about it I’d have said nope, never heard it. And then I woke up singing it for some reason, and listening to it opened some strange little door and I remembered all kinds of things, like the Burger King in Guntersville, Alabama has the very best hamburgers of any Burger King I’ve ever been to. By far. What?

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This song held that memory? How crazy is that? And that memory held another, which held another. And all those memories were a kind of net underneath my kids and me, and I remember being in the car with them driving around north Alabama. Taking picnics up to Monte Sano State Park in Huntsville. Driving up to Cumberland Falls State Park in Kentucky and watching a moonbow. Yes! I didn’t remember about the moonbow, wouldn’t have had that memory available at all. And that whole trip to Cumberland Falls State Park includes memories of what our room looked like, where we ate dinner, the card games we played, all those apparently insignificant moments (seriously, how many hundreds of card games did we play over their childhoods?), but I heard this song and remembered all these things. And then I remembered taking them to Gulf Shores, Alabama, and Will ran along the beach hypnotizing crabs — cwabs, he said. I remember what he wore, exactly. I remember the beach toys the girls had. I remember how I felt, how lost and sad and lonely and uncertain about everything. How wonderful it was to watch my kids play.

The things I know. The grinders at Paradise Pizza in New Britain, Connecticut, are exquisite. There’s a magic forest in Fredericksburg, Virginia. Marnie loved the pine cones at Hungerford State Park in Connecticut. Katie wrote a letter to the editor in Fredericksburg saying that all children should get President’s Day as a school holiday so they could stay at home and honor the presidents. Will’s nickname was Guy for a while, pronounced the French way — like ghee. I wonder how many other pockets of whole huge worlds of memories are there, waiting for just the right little thing to unlock them and bring them all back to me.

I find this one of the tenderest things about being a human, about living a life. You’re right Mr. Carson. This is the business of life.

xo

gettin on a jag

obsessionWhen I was a kid, I saw an ad in a magazine for sets of books and records so I saved my money until I could buy one of the 12-book sets I most wanted in hardback: four books by Hemingway, four by Faulkner, and four by Fitzgerald. (It must be four each, because that’s what I still have, though maybe I lost some over the years in my dozens of moves.) So thrilled to have these books, to own them, I sat down and read them straight through. All four by Hemingway, back to back. All four by Fitzgerald, back to back. Ditto Faulkner.

I don’t recommend this as a strategy. Even right after finishing — but definitely all these years later — I can’t remember which was which. Now which one was the Hemingway where the guy died under the bridge, in the mud, in the arms of a woman? (hmmm, um, all of them? Bad example.) Which was the one where the rich young couple wandered through the city after a night of debauchery? (um, any Fitzgerald, now that I think about it.) Which Faulkner was the one where I had to keep reading the same sentence over and over and over trying to parse its meaning — oh yeah. All of them. Those are bad examples.

This seems to be a reading strategy I pursue, but then again it’s the same strategy I pursue on a lot of fronts. Find something I love and then do it to death. When I finish reading a book I’ve loved, I want to read every single thing that author wrote. After I read The Woman Warrior (well, after I read it three times in a row and felt ready to move on a tiny bit), I read all of Maxine Hong Kingston’s books. I definitely learned her voice, and could spot a Kingston book if I found a page separated from a typewritten manuscript stuck between bricks. Hey, that’s Maxine Hong Kingston. But they’re all of a piece for me now, and that’s good and bad. But don’t you do that too — if you’re surprised and delighted by a new writer, you just want more of her or him? Finding a good writer is so hard, if you find one sure bet probably others will follow there.

For about nine months when we lived in Fredericksburg, VA (and my kids’ll back me up on this) I got really stuck on Aretha Franklin’s “Til You Come Back to Me”:

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Did you know you can wear out a CD? YOU CAN. I played that one song on repeat for nine months — never the song that came after, never the song that came before, no other song, ever. For nine months. It finally got to the point where that song wouldn’t play, it just skipped and did that digital stutter. I just couldn’t stop. It was so great! (I see this is a slightly different argument — instead of playing all of her songs I just got stuck on one.) To this day, when I hear that song my kids are little, the air on my skin is humid and hot, we’re in the rusty old Buick with the sagging headliner, Jerry is off somewhere — Alaska, Panama, Canada — and it’s just me and my little kids bouncing kisses off the moon every night. That song holds every feeling, every moment, every longing, every happiness and bit of sorrow and delivers them back to me on request, in full.

I apparently have a high tolerance for repeaters, as my sweet little Kiki used to say. Every single workday for decades, his lunch was an apple and a container of yogurt — the same exact kind of yogurt, probably. That’s how he articulated that habit, and it’s a phrase that stuck with me. I guess one might call it obsession; it’s really not at all about laziness, or an unwillingness to try new things. It’s not even about the fear of disappointment, as you might think — what if I don’t like a sandwich as much as my apple and yogurt, then I’d have a bad lunch! Nope, it isn’t that. I think it’s about soaking up all the pleasure in a thing, squeezing out every little bit, eating it up until it’s gone. And then finding the next thing.

This morning I read the “By the Book” column in the NYTimes, and Amy Tan described doing what I do — wanting to read all the books by an author if she likes one — and so here we are. A lot of words to say what she said in thirteen. So me.

Happy Sunday y’all. Hope it’s a beautiful one….xo