an intense attack of sorrow

getting set up. Paper taped on the hardwood floors, cardboard wedged in corners and under windows, and lots of plastic still to be draped over doors and windows. UGH.

Yesterday we spent the entire day painting the downstairs, and it was not at all fun. Zero fun. Poor Marc had spent the day before painting the ceiling, after taping and covering everything; we have pine trim around the doors and windows and we didn’t want to paint it, so not only did we have to tape around it, we then needed to drape plastic over all the window frames so paint wouldn’t drip on them. UGH. Not fun. And he did all the harder work, including doing all the ceilings by himself — all I was doing was rolling paint on the walls! Not one bit of fun. Not even a tiny moment, never. I felt nauseated and I just kept wanting to stop, but of course there was nothing to do but to keep painting. (I’m spending today painting the second coat. All by myself. Boo. Also, boring.)

We had music playing in the background, one of my various playlists (one that was short on disco, since Marc, a teenager in the 1960s, hates it) — that was somehow heavily slanted toward Van Morrison. I don’t even know much of his music, beyond Brown-Eyed Girl (I mean, who doesn’t know that song, right?) and one album called Back On Top. That album was released in March 1999, and that was a very hard time for me. The album has a melancholy tone, lots of songs about sorrow and loss, and it just slipped right into my groove, then. I think (and knowing me, this is right) I listened to it over and over and over. Probably nothing but this (again, knowing me).

So there we were, painting, and there I was, feeling blech, wishing the painting were over, but nothing more than that. If I had to label the general tone of my feelings it’d be irritated or something like that, but definitely not sorrowful. As the eclipse approached its fullest here in the Catskills, and the sky darkened a bit, this Van Morrison song came on: Everything I Do Reminds Me of You (not an exciting video, but you can hear the song).

I don’t know why but I became completely overwhelmed and had to lean over and just sob. Ugly crying, face uncontrollably contorted, no sound because the sobs were just too intense.

I miss you so much, I can’t stand it
Seems like my heart, is breaking in two
My head says no but my soul demands it
Everything I do, reminds me of you

I miss you so much, in this house full of shadows
While the rain keeps pouring down, my window too
When will the pain, recede to the darkness
From whence it has come, and I’m feeling so blue

Ain’t goin’ down, no more to the well
Sometimes it feels like, I’m going to hell
Sometimes I’m knocking, on your front door
But I don’t have nothing, to sell no more

I don’t even know who I was crying for/about. At times it felt like I was crying about Jerry, my first husband, the father of my three kids; ever since he apologized to me (such a rare event in my life that someone apologizes) I’ve felt tender towards him again, and he’s in poor health, and I just cried and wished with all my heart that we could be real friends again while there is time. And at times it felt like I was crying about Marc, who has a tendency to say things like, “Honey, after I’m dead maybe you’ll think about me when you walk on the stone path.” A few days ago I found myself feeling how impossible it would feel to go on without him if/when that time comes, how embedded he is in every single thing. I also feel so many other things as well, but those things are true, too.

And at times I felt like I was just sobbing about everyone lost, about all the suffering, about all the sorrow. It was completely overwhelming. Even though the playlist was on shuffle, it played three Van Morrison songs in a row and I just bawled through all three of them. Even writing this post has made me bawl.

Because, you know, loss and life, synonymous in that terrible way.

I have no doubt it was just a convergence of accidental coincidence, the darkened sky from the eclipse and that song coming on and in a time I’ve been thinking about so many things, including Jerry and Marc, but wow it was powerful. I was completely caught off guard by it, and hid myself because I couldn’t possibly have explained it to Marc. I can’t even really explain it to myself.

I’m glad I get swamped by things like that. I get swamped by joy, I get swamped by delight, I get swamped by wistfulness (my favorite feeling), I get swamped by sorrow. Lucky, lucky, lucky me — even when it’s sorrow. I’m very grateful for my complex inner life.

The forecast today: swamped by paint and irritation. Probability: 100%. 🙂

three things: 1/3/17

1)  I started reading Underground Airlines by Ben Winters, following on the heels of The Underground Railroad, and so far it’s spectacular. Honestly, I don’t know why the black people in the United States aren’t raging and fighting white America all the time. (And we women, too.) They (we) have every right to be doing that, and every single time some white American says something about slavery being a long time ago just get over it . . . well hell, even want to punch those people in the throat. This country. We arrived and right off the bat started killing people and stealing their land, and just kept doing that (through to today). And then we stole people from another continent and brutalized them in unimaginable ways to enrich ourselves, and then enacted laws to keep them from getting anywhere (through to today). One horrible thing I learned when a friend did my ancestry is that someone in my history owned slaves in Georgia. She shrugged a little, it’s the thing you learn, and yet it’s horrifying to imagine. And so I too deserve the rage. In the second episode of The OA, a new series on Netflix, a voice-over read the Emma Lazarus poem on the Statue of Liberty (“The New Colossus”) and vomit came up in my throat, it’s such a lie.

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!

The world is going mad and it’s so scary. And the United States is the engine of so much of it. How does a person work with that? (I’ll say more about Underground Airlines after I finish it….)

2) Depression status stable. Not feeling better but not feeling worse, and when you deal with depression you know that’s a good enough report. One thing I’m trying (among many things) is a daily inoculation of art, and today I’m rolling my eyeballs around in this glorious color — great thanks to my beautiful friend Anne for posting the painting on FB a couple of days ago:

Max Kurzweil (Austrian; Art Nouveau, Vienna Secession; 1867-1916): Lady in Yellow, 1899. Oil on canvas. Vienna Museum at Karlsplatz, Vienna, Austria.

That color! I would really like to take my eyeballs out of my head and just roll them around in it, coat them like you do a sugar cookie, and then pop them back so that color can seep into me. It’s so glorious, especially in these very gray NYC days. Tomorrow I’m going to a special event at MoMA, 1.5 hours of silence on the 4th and 5th floor galleries, ending in a guided meditation (in front of Monet’s “Water Lilies,” I think). That ought to help too.

My dear sister-friend Peggy gave me the suggestion to make a long list (25 items on mine) of small things I could do, simple things, nourishing things, and you know, when you’re mentally flat and blank the problem is that nothing feels do-able anyway, much less thinking up a list of things. But with her help I did, and daily art is doable. If you are prone to depression, make your list when you’re not depressed, it’s much easier.

3)  Another bit of art stolen from a friend’s FB (this time from beautiful Kathy, who understands so much):

This is not an age of beauty,
I say to the Rite-Aid as I pass a knee-high plastic witch
whose speaker-box laugh is tripped by my calf
breaking the invisible line cast by her motion
sensor. My heart believes it is a muscle

of love, so how do I tell it it is a muscle of blood?

This morning, I found myself
awake before my alarm & felt I’d been betrayed

by someone. My sleep is as thin as a paper bill
backed by black bars of coal that iridesce
indigo in the federal reserve of

dreams. Look, I said to the horse’s
head I saw severed & then set on the ground, the soft
tissue of the cheek & crown cleaved with a necropsy
knife until the skull was visible. You look more
horse than the horses

with names & quilted coats in the pasture, grazing unbothered

by your body in pieces, steaming

against the drizzle. You once had a name
that filled your ears like amphitheaters,
that caused an electrical

spark to bead to your brain. My grief was born
in the wrong time, my grief an old soul, grief re-
incarnate. My grief, once a black-winged

beetle. How I find every excuse to indulge it, like a child
given quarters. In the restaurant, eating alone,

instead of interrogating my own
solitude, I’m nearly undone by the old
woman on her own. The window so filthy,

it won’t even reflect her face, which must not be the same
face she sees when she dreams

of herself in the third person.

– “Age of Beauty” by Emilia Phillips

What a wonder art is. Thank you to everyone who puts it into the world.