three things: 1/3/17

1)  I started reading Underground Airlines by Ben Winters, following on the heels of The Underground Railroad, and so far it’s spectacular. Honestly, I don’t know why the black people in the United States aren’t raging and fighting white America all the time. (And we women, too.) They (we) have every right to be doing that, and every single time some white American says something about slavery being a long time ago just get over it . . . well hell, even want to punch those people in the throat. This country. We arrived and right off the bat started killing people and stealing their land, and just kept doing that (through to today). And then we stole people from another continent and brutalized them in unimaginable ways to enrich ourselves, and then enacted laws to keep them from getting anywhere (through to today). One horrible thing I learned when a friend did my ancestry is that someone in my history owned slaves in Georgia. She shrugged a little, it’s the thing you learn, and yet it’s horrifying to imagine. And so I too deserve the rage. In the second episode of The OA, a new series on Netflix, a voice-over read the Emma Lazarus poem on the Statue of Liberty (“The New Colossus”) and vomit came up in my throat, it’s such a lie.

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!

The world is going mad and it’s so scary. And the United States is the engine of so much of it. How does a person work with that? (I’ll say more about Underground Airlines after I finish it….)

2) Depression status stable. Not feeling better but not feeling worse, and when you deal with depression you know that’s a good enough report. One thing I’m trying (among many things) is a daily inoculation of art, and today I’m rolling my eyeballs around in this glorious color — great thanks to my beautiful friend Anne for posting the painting on FB a couple of days ago:

Max Kurzweil (Austrian; Art Nouveau, Vienna Secession; 1867-1916): Lady in Yellow, 1899. Oil on canvas. Vienna Museum at Karlsplatz, Vienna, Austria.

That color! I would really like to take my eyeballs out of my head and just roll them around in it, coat them like you do a sugar cookie, and then pop them back so that color can seep into me. It’s so glorious, especially in these very gray NYC days. Tomorrow I’m going to a special event at MoMA, 1.5 hours of silence on the 4th and 5th floor galleries, ending in a guided meditation (in front of Monet’s “Water Lilies,” I think). That ought to help too.

My dear sister-friend Peggy gave me the suggestion to make a long list (25 items on mine) of small things I could do, simple things, nourishing things, and you know, when you’re mentally flat and blank the problem is that nothing feels do-able anyway, much less thinking up a list of things. But with her help I did, and daily art is doable. If you are prone to depression, make your list when you’re not depressed, it’s much easier.

3)  Another bit of art stolen from a friend’s FB (this time from beautiful Kathy, who understands so much):

This is not an age of beauty,
I say to the Rite-Aid as I pass a knee-high plastic witch
whose speaker-box laugh is tripped by my calf
breaking the invisible line cast by her motion
sensor. My heart believes it is a muscle

of love, so how do I tell it it is a muscle of blood?

This morning, I found myself
awake before my alarm & felt I’d been betrayed

by someone. My sleep is as thin as a paper bill
backed by black bars of coal that iridesce
indigo in the federal reserve of

dreams. Look, I said to the horse’s
head I saw severed & then set on the ground, the soft
tissue of the cheek & crown cleaved with a necropsy
knife until the skull was visible. You look more
horse than the horses

with names & quilted coats in the pasture, grazing unbothered

by your body in pieces, steaming

against the drizzle. You once had a name
that filled your ears like amphitheaters,
that caused an electrical

spark to bead to your brain. My grief was born
in the wrong time, my grief an old soul, grief re-
incarnate. My grief, once a black-winged

beetle. How I find every excuse to indulge it, like a child
given quarters. In the restaurant, eating alone,

instead of interrogating my own
solitude, I’m nearly undone by the old
woman on her own. The window so filthy,

it won’t even reflect her face, which must not be the same
face she sees when she dreams

of herself in the third person.

– “Age of Beauty” by Emilia Phillips

What a wonder art is. Thank you to everyone who puts it into the world.